Painting Antiquity explores the archaeological dimension of the works of these three artists: in doing so, it addresses how the aesthetic engagement these artists had with ancient objects represented a unique and important development in the cultural reception of the past.
Painting Antiquity explores the archaeological dimension of the works of these three artists: in doing so, it addresses how the aesthetic engagement these artists had with ancient objects represented a unique and important development in the cultural reception of the past.
Stephanie Moser is a Professor of Archaeology at the University of Southampton. She is the author of four books, most recently Designing Antiquitiy (Yale, 2012).
Inhaltsangabe
* Introduction: Possessed of the beauty of antiquity * Chapter 1. The ancient world in the art of Alma-Tadema, Poynter and Long: background, training and appraisals * Chapter 2. Embracing antiquity: the early Egyptian works of Alma-Tadema and Poynter * Chapter 3. 'Something more than painting': Alma-Tadema, Poynter and the establishment of archaeological genre painting * Chapter 4. Evoking antiquity with heart and mind: Alma-Tadema's and Poynter's Egyptian paintings of the 1870s * Chapter 5. A fascination for 'local colour': Edwin Long and the customs of ancient Egypt * Chapter 6. From genre to spectacle: Alma-Tadema's return to Egypt * Chapter 7. The currency of objects: artistic, historical and cultural contexts of archaeological genre painting in Britain * Chapter 8. Objects and images: Egyptological and archaeological sources for British archaeological genre painting * Chapter 9. Learned artistry: the methods and preparatory materials of Alma-Tadema, Poynter and Long * Chapter 10. 'A new type of beauty': critical reception of archaeological genre painting in the nineteenth century * Chapter 11. Rise and fall: critical reception of archaeological genre painting in the new century * Conclusion: The splendid appearance of things mundane
* Introduction: Possessed of the beauty of antiquity * Chapter 1. The ancient world in the art of Alma-Tadema, Poynter and Long: background, training and appraisals * Chapter 2. Embracing antiquity: the early Egyptian works of Alma-Tadema and Poynter * Chapter 3. 'Something more than painting': Alma-Tadema, Poynter and the establishment of archaeological genre painting * Chapter 4. Evoking antiquity with heart and mind: Alma-Tadema's and Poynter's Egyptian paintings of the 1870s * Chapter 5. A fascination for 'local colour': Edwin Long and the customs of ancient Egypt * Chapter 6. From genre to spectacle: Alma-Tadema's return to Egypt * Chapter 7. The currency of objects: artistic, historical and cultural contexts of archaeological genre painting in Britain * Chapter 8. Objects and images: Egyptological and archaeological sources for British archaeological genre painting * Chapter 9. Learned artistry: the methods and preparatory materials of Alma-Tadema, Poynter and Long * Chapter 10. 'A new type of beauty': critical reception of archaeological genre painting in the nineteenth century * Chapter 11. Rise and fall: critical reception of archaeological genre painting in the new century * Conclusion: The splendid appearance of things mundane
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