"Fred R. Myers has been in a unique position as a participant-observer of an art movement from its local beginnings to its international recognition. This book is a work of enormous significance, relevant to debates in contemporary art theory and cultural studies as well as in anthropology."--Howard Morphy, Australian National University
"Fred R. Myers has been in a unique position as a participant-observer of an art movement from its local beginnings to its international recognition. This book is a work of enormous significance, relevant to debates in contemporary art theory and cultural studies as well as in anthropology."--Howard Morphy, Australian National University
Fred R. Myers is Professor and Chair of Anthropology at New York University and President of the American Ethnological Society. He is the author of Pintupi Country, Pintupi Self; editor of The Empire of Things: Regimes of Value and Material Culture; and coeditor of The Traffic in Culture: Refiguring Anthropology and Art.
Inhaltsangabe
Acknowledgements Prologue Introduction: From Ethnoaesthetics to Art History 1. Truth or Beauty: The Revelatory Regime of Pintupi Painting 2. Practices of Painting: A Local History and a Vexed Intersection > 3. The Aesthetic Function and the Practice of Pintupi Painting: A Local Art History 4. Making a Market: Cultural Policy and Modernity in the Outback > 5. Burned Out, Outback: Art Advisers Working between Two Worlds 6. The “Industry”: Exhibition Success and Economic Rationalization 7. After the Fall: In the Arts Industry 8. Materializing Culture and the New Internationalism 9. Performing Aboriginality at the Asia Society Gallery 10. Postprimitivism: Lines of Tension in the Making of Aboriginal High Art 11. Unsettled Business 12. Recontextualizations: The Traffic in Culture Appendix: A Short History of Papunya Tula Exhibition, 1971-1985 Notes References Index
Acknowledgements Prologue Introduction: From Ethnoaesthetics to Art History 1. Truth or Beauty: The Revelatory Regime of Pintupi Painting 2. Practices of Painting: A Local History and a Vexed Intersection > 3. The Aesthetic Function and the Practice of Pintupi Painting: A Local Art History 4. Making a Market: Cultural Policy and Modernity in the Outback > 5. Burned Out, Outback: Art Advisers Working between Two Worlds 6. The “Industry”: Exhibition Success and Economic Rationalization 7. After the Fall: In the Arts Industry 8. Materializing Culture and the New Internationalism 9. Performing Aboriginality at the Asia Society Gallery 10. Postprimitivism: Lines of Tension in the Making of Aboriginal High Art 11. Unsettled Business 12. Recontextualizations: The Traffic in Culture Appendix: A Short History of Papunya Tula Exhibition, 1971-1985 Notes References Index
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