Painting the Mediterranean Phoenician - Regev, Dalit
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Painting the Mediterranean Phoenician focuses on the Canaanite-Phoenician economic systems that predominated in and determined Mediterranean history. Phoenician trade networks were sophisticated and elaborate operations that required a highly developed society and institutions in order to spread and be maintained. By tracking the manufacture, use, and shipment routes of Phoenician products, primarily those traded in amphorae and bottles but also fine-ware and their associated assemblages, a new map of Mediterranean connectivity and interrelations emerges, whose routes, operations and cultural…mehr

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Produktbeschreibung
Painting the Mediterranean Phoenician focuses on the Canaanite-Phoenician economic systems that predominated in and determined Mediterranean history. Phoenician trade networks were sophisticated and elaborate operations that required a highly developed society and institutions in order to spread and be maintained. By tracking the manufacture, use, and shipment routes of Phoenician products, primarily those traded in amphorae and bottles but also fine-ware and their associated assemblages, a new map of Mediterranean connectivity and interrelations emerges, whose routes, operations and cultural affiliation lasted a long time. The Phoenician trade-nets are presented geographically, with special attention paid to the traceable product networks involving wine, salted fish, or perfumed oils.
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Autorenporträt
Dalit Regev studies aspects of Canaanite-Phoenician culture, especially trade, pottery, Aegyptiaca and ancient DNA. She received her PhD in 2006. Having worked in the past at research centers at the Hebrew University and for the Harvard Excavations at Ashkelon, she currently works for the Israel Antiquities Authority. Her main publications are on Phoenician Amphorae (2004), the Phoenician Hellenistic pottery from Akko-Ptolemais (2009), Egyptian Stone Objects (2013 and 2016), the Phoenician Origins of Eastern Sigillata Ware A (2014), and The Power of the Written Evidence: a Hellenistic Burial Cave at Marisa (2019).