Pam Gems Plays 1 - Gems, Pam
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Volume one of a series of plays written by Pam Gems. The Incorruptible, Garibaldi Si! and The Treat. This is the post-production version of an earlier draft of the play, presented by the Royal Shakespeare Company under a different title, at the Barbican Theatre in August of 1986. THE INCORRUPTIBLE is loosely based on a dramatic manuscript, written in 1929, by Stanislawa Przybyszewska called The Danton Case. Garibaldi, in his day, was an international star. During his lifetime, photography began to be used commercially, so that his face became familiar in Europe and beyond. He was handsome -…mehr

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Produktbeschreibung
Volume one of a series of plays written by Pam Gems. The Incorruptible, Garibaldi Si! and The Treat. This is the post-production version of an earlier draft of the play, presented by the Royal Shakespeare Company under a different title, at the Barbican Theatre in August of 1986. THE INCORRUPTIBLE is loosely based on a dramatic manuscript, written in 1929, by Stanislawa Przybyszewska called The Danton Case. Garibaldi, in his day, was an international star. During his lifetime, photography began to be used commercially, so that his face became familiar in Europe and beyond. He was handsome - which helped - a northern Italian, fair with a straight nose and a steady gaze. The Treat was first performed at the Institute of Contemporary Art, London, on 10 February 1984, produced by Jonathan Gems, directed by Philip Davis, and designed by Stephen Meaha. A movie adaptation of THE TREAT, written and directed by Jonathan Gems, was released in 1999, presented by Cineville, starring Patrick Dempsey, Daniel Baldwin, Michael York, Alfred Molina, Julie Delpy, Georgina Cates, Pam Gidley, Vincent Perez, Yancy Butler, and Seymour Cassel as the Mayor.
Autorenporträt
After marrying and having her first two children, she and her husband moved to Wandsworth in South London, where she wrote radio plays, beginning an extraordinarily prolific writing career that produced over seventy plays and adaptations. Pam Gems is, without doubt, Britain's greatest woman dramatist, with only Agatha Christie having had more West End productions. Agatha Christie had ten plays presented in the West End, at a time when the economics of West End plays weren't as prohibitive as they later became. Pam Gems had six, arguably seven, West End plays. The first was DUSA FISH STAS and VI, at the Mayfair, presented by Michael Codron, followed by PIAF, at the Piccadilly, presented by the RSC, which also later produced CAMILLE at the Comedy, and THE BLUE ANGEL at the Globe. LOVING WOMEN was presented at the Arts Theatre, and MARLENE had a successful run at the Lyric. STANLEY, which played to full houses at the National Theatre, was offered a West-End transfer by three managements, but the company turned down these offers in favour of a transfer to the Circle in the Square, off-Broadway, in New York, where it ran for six months. One thing that especially fascinates in Pam Gems' writing is the prophetic element. She perceived, well in advance, the dangers facing the pampered and decadent West, which we now see unfolding. As Victor Hugo said: 'Adversity makes men and prosperity makes monsters. ' Her approach is always positive, however. Like the Beatles' song, all you need is love.