Volume two of a series of four plays written by Pam Gems. Betty's Wonderful Christmas, The Socialists, Guinevere and Ethel. Betty's Wonderful Christmas was my first stage play. The setting is a small country town between the two World Wars, when living was still harsh for many people; the Salvation Army providing the only loving support for many in real distress. The Socialists - a play set in two eras: the revolutionary Seventies, and the reactionary' Eighties. Has been compared to Dostoeyevsky's The Devils. There has never been a Guinevere like Maggie Jordan who mercilessly berates that…mehr
Volume two of a series of four plays written by Pam Gems. Betty's Wonderful Christmas, The Socialists, Guinevere and Ethel. Betty's Wonderful Christmas was my first stage play. The setting is a small country town between the two World Wars, when living was still harsh for many people; the Salvation Army providing the only loving support for many in real distress. The Socialists - a play set in two eras: the revolutionary Seventies, and the reactionary' Eighties. Has been compared to Dostoeyevsky's The Devils. There has never been a Guinevere like Maggie Jordan who mercilessly berates that arch-chauvinist Arthur, and brings woman's lib to Camelot. Pam Gems's new play inventively harnesses the legend and has Guinevere pouring out her feelings of desperation and frustration at being treated as chattel by the uncomprehending Arthur, played by Sean McCarthy. Ethel - An amusing play with songs about the American singer, Ethel Merman. A musical play in two acts - Based on a true story "We had Ethel Merman on the show and, afterwards, nobody could hear for a week." JERRY LEWIS.
After marrying and having her first two children, she and her husband moved to Wandsworth in South London, where she wrote radio plays, beginning an extraordinarily prolific writing career that produced over seventy plays and adaptations. Pam Gems is, without doubt, Britain's greatest woman dramatist, with only Agatha Christie having had more West End productions. Agatha Christie had ten plays presented in the West End, at a time when the economics of West End plays weren't as prohibitive as they later became. Pam Gems had six, arguably seven, West End plays. The first was DUSA FISH STAS and VI, at the Mayfair, presented by Michael Codron, followed by PIAF, at the Piccadilly, presented by the RSC, which also later produced CAMILLE at the Comedy, and THE BLUE ANGEL at the Globe. LOVING WOMEN was presented at the Arts Theatre, and MARLENE had a successful run at the Lyric. STANLEY, which played to full houses at the National Theatre, was offered a West-End transfer by three managements, but the company turned down these offers in favour of a transfer to the Circle in the Square, off-Broadway, in New York, where it ran for six months. One thing that especially fascinates in Pam Gems' writing is the prophetic element. She perceived, well in advance, the dangers facing the pampered and decadent West, which we now see unfolding. As Victor Hugo said: 'Adversity makes men and prosperity makes monsters. ' Her approach is always positive, however. Like the Beatles' song, all you need is love.
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