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Pam Gems Plays 5 - Gems, Pam
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Volume five of a series of plays written by Pam Gems. THE BLUE ANGEL, LOVING WOMEN, NATALYAand LADYBIRD, LADYBIRD. THE BLUE ANGEL was first performed on the 7th of September, 1991 at The Other Place, Stratford-Upon-Avon, Warwickshire. The production transferred to the Globe Theatre, London, on the 20th of May, 1992. Produced by MARK FURNESS, JOHN NEWMAN and the Royal Shakespeare Company, directed by TREVOR NUNN, designed by MARIA BJORNSON. LOVING WOMEN was first performed on the 31st of January, 1984, at the Arts Theatre, Great Newport Street, London, UK. Produced by JONATHAN GEMS and DAVID…mehr

Produktbeschreibung
Volume five of a series of plays written by Pam Gems. THE BLUE ANGEL, LOVING WOMEN, NATALYAand LADYBIRD, LADYBIRD. THE BLUE ANGEL was first performed on the 7th of September, 1991 at The Other Place, Stratford-Upon-Avon, Warwickshire. The production transferred to the Globe Theatre, London, on the 20th of May, 1992. Produced by MARK FURNESS, JOHN NEWMAN and the Royal Shakespeare Company, directed by TREVOR NUNN, designed by MARIA BJORNSON. LOVING WOMEN was first performed on the 31st of January, 1984, at the Arts Theatre, Great Newport Street, London, UK. Produced by JONATHAN GEMS and DAVID JONES, directed by PHILIP DAVIS, designed by JONATHAN GEMS. NATALYA - The real-life model for Natalya is dead. In NATALYA, the play, she is a survivor. Criminal of course. LADYBIRD, LADYBIRD was first performed on April 23rd, 1979, at the King's Head Theatre, Islington, London, UK.
Autorenporträt
After marrying and having her first two children, she and her husband moved to Wandsworth in South London, where she wrote radio plays, beginning an extraordinarily prolific writing career that produced over seventy plays and adaptations. Pam Gems is, without doubt, Britain's greatest woman dramatist, with only Agatha Christie having had more West End productions. Agatha Christie had ten plays presented in the West End, at a time when the economics of West End plays weren't as prohibitive as they later became. Pam Gems had six, arguably seven, West End plays. The first was DUSA FISH STAS and VI, at the Mayfair, presented by Michael Codron, followed by PIAF, at the Piccadilly, presented by the RSC, which also later produced CAMILLE at the Comedy, and THE BLUE ANGEL at the Globe. LOVING WOMEN was presented at the Arts Theatre, and MARLENE had a successful run at the Lyric. STANLEY, which played to full houses at the National Theatre, was offered a West-End transfer by three managements, but the company turned down these offers in favour of a transfer to the Circle in the Square, off-Broadway, in New York, where it ran for six months. One thing that especially fascinates in Pam Gems' writing is the prophetic element. She perceived, well in advance, the dangers facing the pampered and decadent West, which we now see unfolding. As Victor Hugo said: 'Adversity makes men and prosperity makes monsters. ' Her approach is always positive, however. Like the Beatles' song, all you need is love.