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Taking into account the drastic over-use of the term "interactivity" in connection with new media, this anthology is designed to scrutinize the preconceptions that surround the idea of human-computer interaction. German media theories of agency, algorithmic semiotics, interfaciology, mediality, performativity, and transcriptivity are combined with international artistic and technological investigations including interactive audio programming as well as robotic and artificial life art. Several essays give an overview of interactive music and sound performances, which up to now have rarely been discussed.…mehr

Produktbeschreibung
Taking into account the drastic over-use of the term "interactivity" in connection with new media, this anthology is designed to scrutinize the preconceptions that surround the idea of human-computer interaction. German media theories of agency, algorithmic semiotics, interfaciology, mediality, performativity, and transcriptivity are combined with international artistic and technological investigations including interactive audio programming as well as robotic and artificial life art. Several essays give an overview of interactive music and sound performances, which up to now have rarely been discussed.
Autorenporträt
Uwe Seifert is Professor of Systematic Musicology at the University of Cologne. His current research interests include embodied cognitive science of music and New Media theory. Jin Hyun Kim is researcher at the Collaborative Research Center »Media and Cultural Communication« (SFB/FK 427). She is currently involved in the research project »Artistic Interactivity in Hybrid Networks« directed by Uwe Seifert and Anthony Moore, which is part of the SFB/FK 427 »Medien und kulturelle Kommunikation«. Anthony Moore is Professor of Art and Media Sciences at the Academy of Media Arts Cologne. His research focuses on sound computing and Greek and Asian tone systems.