The growth of African immigration to France at the end of the Twentieth Century wrought cultural change in this epicentre of the avant-garde in European art and music. James Winders presents the story of African immigrants to France as a unique chapter in the long history of the reception accorded expatriate artists in Paris.
The growth of African immigration to France at the end of the Twentieth Century wrought cultural change in this epicentre of the avant-garde in European art and music. James Winders presents the story of African immigrants to France as a unique chapter in the long history of the reception accorded expatriate artists in Paris.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
JAMES A. WINDERS is Professor of History, Appalachain State University, USA.
Inhaltsangabe
Introduction Immigration in 20th Century France from Belle Epoque to European Union 'African' Pop Music in France African or French? : Neither and Both The Mitterand Years Creole Culture and the Zouk Explosion The Welcome Mat Withdrawn?: The Second Generation of African Musicians in Paris Politics of Language and Space: Troubling New Political Prospects and Challenges Musician of Senegal and Mali: Re-emigrants and Those Who Never Sought to Emigrate The 'Traditional' Music Backlash Hybridity and the Future of Francophone Popular Music 'Fourth World' Music and Culture at Century's End
Introduction Immigration in 20th Century France from Belle Epoque to European Union 'African' Pop Music in France African or French? : Neither and Both The Mitterand Years Creole Culture and the Zouk Explosion The Welcome Mat Withdrawn?: The Second Generation of African Musicians in Paris Politics of Language and Space: Troubling New Political Prospects and Challenges Musician of Senegal and Mali: Re-emigrants and Those Who Never Sought to Emigrate The 'Traditional' Music Backlash Hybridity and the Future of Francophone Popular Music 'Fourth World' Music and Culture at Century's End
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