Sarah Kay is Professor of French at New York University and author of several books, including The Place of Thought: The Complexity of One in Late Medieval French Didactic Poetry, also available from the University of Pennsylvania Press.
Sarah Kay is Professor of French at New York University and author of several books, including The Place of Thought: The Complexity of One in Late Medieval French Didactic Poetry, also available from the University of Pennsylvania Press.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Note on References, Translations, and Abbreviations Introduction: Quotation, Knowledge, Change PART I. PIONEERING TROUBADOUR QUOTATION Chapter 1. Rhyme and Reason: Quotation in Raimon Vidal de Besalú's Razos de trobar and the Grammars of the Vidal Tradition Chapter 2. Quotation, Memory, and Connoisseurship in the Novas of Raimon Vidal de Besalú Chapter 3. Starting Afresh with Quotation in the Vidas and Razos Chapter 4. Soliciting Quotation in Florilegia: Attribution, Authority, and Freedom PART II. PARROTS AND NIGHTINGALES Chapter 5. The Nightingales' Way: Poetry as French Song in Jean Renart's Guillaume de Dole Chapter 6. The Parrots' Way: The Novas del papagai from Catalonia to Italy PART III. TRANSFORMING TROUBADOUR QUOTATION Chapter 7. Songs Within Songs: Subjectivity and Performance in Bertolome Zorzi (74.9) and Jofre de Foixà (304.1) Chapter 8. Perilous Quotations: Language, Desire, and Knowledge in Matfre Ermengau's Breviari d'amor Chapter 9. Dante's Ex-Appropriation of the Troubadours in De vulgari eloquentia and the Divina commedia Chapter 10. The Leys d'amors: Phasing Out the antics troubadors and Ushering in the New Toulousain Poetics Chapter 11. Petrarch's "Lasso me": Changing the Subject Conclusion Appendices Notes Bibliography of Printed and Electronic Sources Index Acknowledgments
Note on References, Translations, and Abbreviations Introduction: Quotation, Knowledge, Change PART I. PIONEERING TROUBADOUR QUOTATION Chapter 1. Rhyme and Reason: Quotation in Raimon Vidal de Besalú's Razos de trobar and the Grammars of the Vidal Tradition Chapter 2. Quotation, Memory, and Connoisseurship in the Novas of Raimon Vidal de Besalú Chapter 3. Starting Afresh with Quotation in the Vidas and Razos Chapter 4. Soliciting Quotation in Florilegia: Attribution, Authority, and Freedom PART II. PARROTS AND NIGHTINGALES Chapter 5. The Nightingales' Way: Poetry as French Song in Jean Renart's Guillaume de Dole Chapter 6. The Parrots' Way: The Novas del papagai from Catalonia to Italy PART III. TRANSFORMING TROUBADOUR QUOTATION Chapter 7. Songs Within Songs: Subjectivity and Performance in Bertolome Zorzi (74.9) and Jofre de Foixà (304.1) Chapter 8. Perilous Quotations: Language, Desire, and Knowledge in Matfre Ermengau's Breviari d'amor Chapter 9. Dante's Ex-Appropriation of the Troubadours in De vulgari eloquentia and the Divina commedia Chapter 10. The Leys d'amors: Phasing Out the antics troubadors and Ushering in the New Toulousain Poetics Chapter 11. Petrarch's "Lasso me": Changing the Subject Conclusion Appendices Notes Bibliography of Printed and Electronic Sources Index Acknowledgments
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