This book explores the practical delivery of participatory arts projects for international development.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Paul Cooke is Centenary Chair of World Cinemas at the University of Leeds, UK. He is currently the Principal Investigator on Changing the Story, a project looking at the ways in which heritage and arts organisations can help young people to shape civil society in post-conflict countries. Inés Soria-Donlan is Project Manager of Changing the Story at the University of Leeds. Since 2008 Inés has worked internationally across the academic, cultural and creative sectors as a producer, project manager, creative practitioner and researcher, with a continual focus on youth, diversity and arts-led participation.
Inhaltsangabe
Introduction: 'Post-Participatory' Arts for the 'Post-Development' Era' Part I: Organisational Perspectives 1. Imagining Power: Development, Participation and Creativity 2. Reflections on Practice: Integrating Creative Arts into INGOs to Promote Participation, Activism and Alternative Development Futures 3. Beyond the Development Imaginary: Alternative Policy in Brazil and Colombia 4. Challenging the Message of the Medium: Scaling Participatory Arts Projects and the Creativity Agenda in Kenya Part II: The Role of the Researcher in Development 5. When Elvis Dances: Activating Community Knowledge through Participatory Creative Practices in Santiago, Chile 6. Fragments on Heroes, Artists and Interventions: Challenging Gender Ideology and Provoking Active Citizenship through the Arts in Kosovo 7. Mobile Arts for Peace (MAP): Youth and Participatory Arts in Rwanda 8. Arts, Education and Reconciliation in Cambodia: Sociological Perspectives 9. Historical Research as an Advocacy Tool in India 10. Developing Dialogue through Participatory Design and Imaginative Graphic-Ethnography Part III: Exploring the Art Produced in Development 11. Filming the Margins: Documentary Film, Participation and the Poetics of Resistance in Contemporary Brazil 12. Taking the Product Seriously: Questions of Voice, Politics and Aesthetics in Participatory Video 13. Researching like an Artist: Disrupting Participatory Arts-Based Methods in Uganda and Bangladesh
Introduction: 'Post-Participatory' Arts for the 'Post-Development' Era' Part I: Organisational Perspectives 1. Imagining Power: Development, Participation and Creativity 2. Reflections on Practice: Integrating Creative Arts into INGOs to Promote Participation, Activism and Alternative Development Futures 3. Beyond the Development Imaginary: Alternative Policy in Brazil and Colombia 4. Challenging the Message of the Medium: Scaling Participatory Arts Projects and the Creativity Agenda in Kenya Part II: The Role of the Researcher in Development 5. When Elvis Dances: Activating Community Knowledge through Participatory Creative Practices in Santiago, Chile 6. Fragments on Heroes, Artists and Interventions: Challenging Gender Ideology and Provoking Active Citizenship through the Arts in Kosovo 7. Mobile Arts for Peace (MAP): Youth and Participatory Arts in Rwanda 8. Arts, Education and Reconciliation in Cambodia: Sociological Perspectives 9. Historical Research as an Advocacy Tool in India 10. Developing Dialogue through Participatory Design and Imaginative Graphic-Ethnography Part III: Exploring the Art Produced in Development 11. Filming the Margins: Documentary Film, Participation and the Poetics of Resistance in Contemporary Brazil 12. Taking the Product Seriously: Questions of Voice, Politics and Aesthetics in Participatory Video 13. Researching like an Artist: Disrupting Participatory Arts-Based Methods in Uganda and Bangladesh
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