A compelling collection that looks at one of the most famed director-composer collaborations in film history.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Steven Rawle is Associate Professor in Film and Media at York St John University K. J. Donnelly is Professor of Film and Film Music at the University of Southampton
Inhaltsangabe
Introduction K. J. Donnelly and Steven Rawle 1. Bernard Herrmann: Hitchcock's secret sharer Jack Sullivan 2. Hitchcock, music and the mathematics of editing Charles Barr 3. The anatomy of aural suspense in Rope and Vertigo Kevin Clifton 4. The therapeutic power of music in Hitchcock's films Sidney Gottlieb 5. A Lacanian take on Herrmann/Hitchcock Royal S. Brown 6. Portentous arrangements: Bernard Herrmann and The Man Who Knew Too Much Murray Pomerance 7. On the road with Hitchcock and Herrmann: sound, music and the car journey in Vertigo (1958) and Psycho (1960) Pasquale Iannone 8. A dance to the music of Herrmann: a figurative dance suite David Cooper 9. The sound of The Birds Richard Allen 10. Musical romanticism v. the sexual aberrations of the criminal female: Marnie (1964) K. J. Donnelly 11. The murder of Gromek: theme and variations Tomas Williams 12. Mending the Torn Curtain: a rejected score's place in a discography Gergely Hubai 13. The Herrmann Hitchcock murder mysteries: post mortem William H. Rosar 14. How could you possibly be a Hitchcocko Herrmannian?: Digitally re narrativising collaborative authorship Steven Rawle Index
Introduction K. J. Donnelly and Steven Rawle 1. Bernard Herrmann: Hitchcock's secret sharer Jack Sullivan 2. Hitchcock, music and the mathematics of editing Charles Barr 3. The anatomy of aural suspense in Rope and Vertigo Kevin Clifton 4. The therapeutic power of music in Hitchcock's films Sidney Gottlieb 5. A Lacanian take on Herrmann/Hitchcock Royal S. Brown 6. Portentous arrangements: Bernard Herrmann and The Man Who Knew Too Much Murray Pomerance 7. On the road with Hitchcock and Herrmann: sound, music and the car journey in Vertigo (1958) and Psycho (1960) Pasquale Iannone 8. A dance to the music of Herrmann: a figurative dance suite David Cooper 9. The sound of The Birds Richard Allen 10. Musical romanticism v. the sexual aberrations of the criminal female: Marnie (1964) K. J. Donnelly 11. The murder of Gromek: theme and variations Tomas Williams 12. Mending the Torn Curtain: a rejected score's place in a discography Gergely Hubai 13. The Herrmann Hitchcock murder mysteries: post mortem William H. Rosar 14. How could you possibly be a Hitchcocko Herrmannian?: Digitally re narrativising collaborative authorship Steven Rawle Index
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