Pasolini's Lasting Impressions
Death, Eros, and Literary Enterprise in the Opus of Pier Paolo Pasolini
Herausgeber: Calabretta-Sajder, Ryan
Pasolini's Lasting Impressions
Death, Eros, and Literary Enterprise in the Opus of Pier Paolo Pasolini
Herausgeber: Calabretta-Sajder, Ryan
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This collection examines the multifaceted opus of Pier Paolo Pasolini through a contemporary critical lens. It offers new interpretations to some classic works such as Salò or the 120 Days of Sodom and Decameron while considering some lesser studied pieces, for example Orestiade and his Friulian verse.
This collection examines the multifaceted opus of Pier Paolo Pasolini through a contemporary critical lens. It offers new interpretations to some classic works such as Salò or the 120 Days of Sodom and Decameron while considering some lesser studied pieces, for example Orestiade and his Friulian verse.
Produktdetails
- Produktdetails
- The Fairleigh Dickinson University Press Series in Italian Studies
- Verlag: Fairleigh Dickinson University Press
- Seitenzahl: 266
- Erscheinungstermin: 28. Dezember 2017
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 589g
- ISBN-13: 9781683930181
- ISBN-10: 1683930185
- Artikelnr.: 49018486
- The Fairleigh Dickinson University Press Series in Italian Studies
- Verlag: Fairleigh Dickinson University Press
- Seitenzahl: 266
- Erscheinungstermin: 28. Dezember 2017
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 589g
- ISBN-13: 9781683930181
- ISBN-10: 1683930185
- Artikelnr.: 49018486
Ryan Calabretta-Sajder is visiting assistant professor of Italian at the University of Arkansas, Fayetteville.
Acknowledgments Introduction: Pasolini Studies-Forty Years in the Making
Ryan Calabretta-Sajder Part 1: Pier Paolo Pasolini and Verse 1 Pasolini's
Poetry: The Language of the Mother Daniela Bini 2 Jesus Narcissus:
Pasolini's Self-Representation as Scapegoat and Martyr in His Friulan Verse
William Van Watson 3 Poetic Gazing: The "Word-Eye" in the Poetry of Pier
Paolo Pasolini Flaviano Pisanelli Part 2: Pasolini and the Stage 4
Pasolini's Orestiade, the Irrational and Greek Tragedy Francesca
D'Alessandro Behr 5 Dreams as Gendered Places: Feminist (Re)Awakenings in
Pasolini's Caldéron Ryan Calabretta-Sajder Part 3: Pasolini through the
Lens 6 Il "cinema di poesia" from Theory to Practice: The Case of Edipo Re
Millicent Marcus 7 Violence in Pier Paolo Pasolini's Cinema Francesco
Rosetti 8 The Bibliography of Salò: Eros, Sadism, and Avant-Garde in Pier
Paolo Pasolini's Last Work Fabio Benincasa 9 Oedipus and Medea According to
Pasolini Giulia Tellini 10 Pasolini's Decameron (1971): A Case of Cinematic
Re-Creation Fulvio Orsitto 11 Pictorial Allusion as a Distancing Technique
from the Chaucerian Hypotext in The Canterbury Tales Ilaria Lanzarini Part
4: Pasolini and Italian Culture-Final Thoughts 12 Pasolini as Prophet: From
I Know to the Prophecy of Salò, or the 120 Days of Sodom Daniela Privitera
13 Pier Paolo Pasolini's Influence on Contemporary Italian Culture Virginia
Agostinelli Part 5: Interviews 14 Interview with Omino 71 Fabio Benincasa
15 Pasolini's Last Interview: Death, Eros, and Literary Enterprise in the
Opus of Pier Paolo Pasolini-a Conversation with Dacia Maraini Ryan
Calabaretta-Sajder Index About the Editors and Contributors
Ryan Calabretta-Sajder Part 1: Pier Paolo Pasolini and Verse 1 Pasolini's
Poetry: The Language of the Mother Daniela Bini 2 Jesus Narcissus:
Pasolini's Self-Representation as Scapegoat and Martyr in His Friulan Verse
William Van Watson 3 Poetic Gazing: The "Word-Eye" in the Poetry of Pier
Paolo Pasolini Flaviano Pisanelli Part 2: Pasolini and the Stage 4
Pasolini's Orestiade, the Irrational and Greek Tragedy Francesca
D'Alessandro Behr 5 Dreams as Gendered Places: Feminist (Re)Awakenings in
Pasolini's Caldéron Ryan Calabretta-Sajder Part 3: Pasolini through the
Lens 6 Il "cinema di poesia" from Theory to Practice: The Case of Edipo Re
Millicent Marcus 7 Violence in Pier Paolo Pasolini's Cinema Francesco
Rosetti 8 The Bibliography of Salò: Eros, Sadism, and Avant-Garde in Pier
Paolo Pasolini's Last Work Fabio Benincasa 9 Oedipus and Medea According to
Pasolini Giulia Tellini 10 Pasolini's Decameron (1971): A Case of Cinematic
Re-Creation Fulvio Orsitto 11 Pictorial Allusion as a Distancing Technique
from the Chaucerian Hypotext in The Canterbury Tales Ilaria Lanzarini Part
4: Pasolini and Italian Culture-Final Thoughts 12 Pasolini as Prophet: From
I Know to the Prophecy of Salò, or the 120 Days of Sodom Daniela Privitera
13 Pier Paolo Pasolini's Influence on Contemporary Italian Culture Virginia
Agostinelli Part 5: Interviews 14 Interview with Omino 71 Fabio Benincasa
15 Pasolini's Last Interview: Death, Eros, and Literary Enterprise in the
Opus of Pier Paolo Pasolini-a Conversation with Dacia Maraini Ryan
Calabaretta-Sajder Index About the Editors and Contributors
Acknowledgments Introduction: Pasolini Studies-Forty Years in the Making
Ryan Calabretta-Sajder Part 1: Pier Paolo Pasolini and Verse 1 Pasolini's
Poetry: The Language of the Mother Daniela Bini 2 Jesus Narcissus:
Pasolini's Self-Representation as Scapegoat and Martyr in His Friulan Verse
William Van Watson 3 Poetic Gazing: The "Word-Eye" in the Poetry of Pier
Paolo Pasolini Flaviano Pisanelli Part 2: Pasolini and the Stage 4
Pasolini's Orestiade, the Irrational and Greek Tragedy Francesca
D'Alessandro Behr 5 Dreams as Gendered Places: Feminist (Re)Awakenings in
Pasolini's Caldéron Ryan Calabretta-Sajder Part 3: Pasolini through the
Lens 6 Il "cinema di poesia" from Theory to Practice: The Case of Edipo Re
Millicent Marcus 7 Violence in Pier Paolo Pasolini's Cinema Francesco
Rosetti 8 The Bibliography of Salò: Eros, Sadism, and Avant-Garde in Pier
Paolo Pasolini's Last Work Fabio Benincasa 9 Oedipus and Medea According to
Pasolini Giulia Tellini 10 Pasolini's Decameron (1971): A Case of Cinematic
Re-Creation Fulvio Orsitto 11 Pictorial Allusion as a Distancing Technique
from the Chaucerian Hypotext in The Canterbury Tales Ilaria Lanzarini Part
4: Pasolini and Italian Culture-Final Thoughts 12 Pasolini as Prophet: From
I Know to the Prophecy of Salò, or the 120 Days of Sodom Daniela Privitera
13 Pier Paolo Pasolini's Influence on Contemporary Italian Culture Virginia
Agostinelli Part 5: Interviews 14 Interview with Omino 71 Fabio Benincasa
15 Pasolini's Last Interview: Death, Eros, and Literary Enterprise in the
Opus of Pier Paolo Pasolini-a Conversation with Dacia Maraini Ryan
Calabaretta-Sajder Index About the Editors and Contributors
Ryan Calabretta-Sajder Part 1: Pier Paolo Pasolini and Verse 1 Pasolini's
Poetry: The Language of the Mother Daniela Bini 2 Jesus Narcissus:
Pasolini's Self-Representation as Scapegoat and Martyr in His Friulan Verse
William Van Watson 3 Poetic Gazing: The "Word-Eye" in the Poetry of Pier
Paolo Pasolini Flaviano Pisanelli Part 2: Pasolini and the Stage 4
Pasolini's Orestiade, the Irrational and Greek Tragedy Francesca
D'Alessandro Behr 5 Dreams as Gendered Places: Feminist (Re)Awakenings in
Pasolini's Caldéron Ryan Calabretta-Sajder Part 3: Pasolini through the
Lens 6 Il "cinema di poesia" from Theory to Practice: The Case of Edipo Re
Millicent Marcus 7 Violence in Pier Paolo Pasolini's Cinema Francesco
Rosetti 8 The Bibliography of Salò: Eros, Sadism, and Avant-Garde in Pier
Paolo Pasolini's Last Work Fabio Benincasa 9 Oedipus and Medea According to
Pasolini Giulia Tellini 10 Pasolini's Decameron (1971): A Case of Cinematic
Re-Creation Fulvio Orsitto 11 Pictorial Allusion as a Distancing Technique
from the Chaucerian Hypotext in The Canterbury Tales Ilaria Lanzarini Part
4: Pasolini and Italian Culture-Final Thoughts 12 Pasolini as Prophet: From
I Know to the Prophecy of Salò, or the 120 Days of Sodom Daniela Privitera
13 Pier Paolo Pasolini's Influence on Contemporary Italian Culture Virginia
Agostinelli Part 5: Interviews 14 Interview with Omino 71 Fabio Benincasa
15 Pasolini's Last Interview: Death, Eros, and Literary Enterprise in the
Opus of Pier Paolo Pasolini-a Conversation with Dacia Maraini Ryan
Calabaretta-Sajder Index About the Editors and Contributors