Passages in Modern Sculpture - Krauss, Rosalind E. (Editor, October magazine / Professor, Columbia
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The book is well illustrated in black and white. The text is rigorously formalistic and analytical and organized around specific sculptural considerations such as the treatment of narrative time, the handling of space, and the game strategies of surrealist sculpture.
Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present.

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Produktbeschreibung
The book is well illustrated in black and white. The text is rigorously formalistic and analytical and organized around specific sculptural considerations such as the treatment of narrative time, the handling of space, and the game strategies of surrealist sculpture.
Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present.
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Autorenporträt
Rosalind E. Krauss is University Professor in the Department of Art History at Columbia University, where, from 1995 to 2006, she held the Meyer Schapiro Chair in Modern Art and Theory. She is a founding editor of October and the author of Passages in Modern Sculpture, The Originality of the Avant-Garde and Other Myths, The Optical Unconscious, Bachelors, Perpetual Inventory, Under Blue Cup (all published by the MIT Press), and other books.