Patent Inventions - Pettitt, Clare
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It also suggests that the publication of those novels, and the celebrity of their authors, had a substantial effect on the subsequent direction of these debates. The final chapter shows that Thomas Hardy's later fiction reflects an important shift in thinking about creativity and ownership towards the end of the century. Patent Inventions argues that Victorian writers used the novel not just to reflect, but also to challenge received notions of intellectual ownership and responsibility. It ends by suggesting that detailed study of the debate over intellectual property in the nineteenth century…mehr

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Produktbeschreibung
It also suggests that the publication of those novels, and the celebrity of their authors, had a substantial effect on the subsequent direction of these debates. The final chapter shows that Thomas Hardy's later fiction reflects an important shift in thinking about creativity and ownership towards the end of the century. Patent Inventions argues that Victorian writers used the novel not just to reflect, but also to challenge received notions of intellectual ownership and responsibility. It ends by suggesting that detailed study of the debate over intellectual property in the nineteenth century leads to a better understanding of the complex negotiations over the bounds of selfhood and social responsibility in the period.
This book examines the shared rhetoric surrounding the creation of the "inventor" and the "author" in the 1830s, and the challenge of the emerging technologies of mass production to traditional ideas of art and industry. Patent Inventions argues that Victorian writers used the novel not just to reflect, but also to challenge received notions of intellectual ownership and responsibility, using close readings of work by Dickens, Thackeray, Gaskell, Eliot, and Hardy.
Autorenporträt
Clare Pettitt worked in journalism and theatre in London for six years before completing a D.Phil at Oxford University, and then taking up a lectureship in Victorian literature at Leeds University in 1997. She is currently Director of Studies and Lecturer in English at Newnham College, Cambridge. She has published several articles about Elizabeth Gaskell and Charles Dickens, and is a regular contributor to the Times Literary Supplement.