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First collection by young English poet featured in Bloodaxe's new poets anthology "Voice Recognition" (2009). Sarah Jackson lived in Brighton for many years, and now lectures at Nottingham Trent University.
Sarah Jackson explores the edges of writing in this uncanny book of touch. Tender and haunting, yet beautifully poised, the poems in Pelt get right under your skin. The collection takes you on an unsettling journey between infancy and adulthood. Slipping from birds to blindness, from hides to hiding, Pelt uncovers the unfamiliar in the everyday. It is written in the dark. It asks to be…mehr

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Produktbeschreibung
First collection by young English poet featured in Bloodaxe's new poets anthology "Voice Recognition" (2009). Sarah Jackson lived in Brighton for many years, and now lectures at Nottingham Trent University.
Sarah Jackson explores the edges of writing in this uncanny book of touch. Tender and haunting, yet beautifully poised, the poems in Pelt get right under your skin. The collection takes you on an unsettling journey between infancy and adulthood. Slipping from birds to blindness, from hides to hiding, Pelt uncovers the unfamiliar in the everyday. It is written in the dark. It asks to be read through your fingertips. Striking and elegant, subtle and yet full of desire, this is a brilliant debut.
Autorenporträt
Sarah Jackson was born in 1977, grew up in Berkshire and now lives in Nottingham. Her pamphlet Milk (Pighog, 2008) was shortlisted for the Michael Marks Award and her work appears in a number of magazines and anthologies, including Voice Recognition: 21 Poets for the 21st Century (Bloodaxe Books, 2009) and The Best British Poetry 2011 (Salt, 2011). She was awarded Arts Council funding in 2009 and has been shortlisted for the Arvon International Poetry Competition (2010) and the Edwin Morgan Prize (2011). Sarah completed a doctorate at the University of Sussex in 2009 and now lectures at Nottingham Trent University, where she runs the MA in Creative Writing. Pelt (Bloodaxe Books, 2012), her first book-length collection, won the Seamus Heaney Centre Prize for Poetry, and was longlisted for the Guardian First Book Award.