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"Towards A Makeup Designing Model, Based on Intersemiotic Translation and Physiognomy" had to be revised and complemented by more useful points and a fruitful chapter. Interdisciplinary studies have become more important during last years; therefore, the author hopes the contents of this book will be beneficial to the fields of physiognomy, makeup designing, cinema, theatre, sociology, semiotics, linguistics, and translation, since, in this book, the value of the facial signs, their meanings, the significant procedures of makeup designing, the obstacles of makeup designing, new signs as well…mehr

Produktbeschreibung
"Towards A Makeup Designing Model, Based on Intersemiotic Translation and Physiognomy" had to be revised and complemented by more useful points and a fruitful chapter. Interdisciplinary studies have become more important during last years; therefore, the author hopes the contents of this book will be beneficial to the fields of physiognomy, makeup designing, cinema, theatre, sociology, semiotics, linguistics, and translation, since, in this book, the value of the facial signs, their meanings, the significant procedures of makeup designing, the obstacles of makeup designing, new signs as well as their usage among people, similarities between verbal and nonverbal systems, new semiotic languages, grammars, and lexis, and a new kind of translation, the details of the transference between a written text and the appearances of the characters are represented.
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Autorenporträt
Sheida Mehrabi Roshan, studied Translation Studies (B.A) at Payame Noor University, Shahryar branch and M.A at Islamic Azad University, Shahre Qods branch; she has also studied Makeup Designing at Moayyerian¿s College of Makeup. Professor Kourosh Akef ¿PhD in Teaching English¿ teaches Translation Studies at Islamic Azad University.