"This book contributes subtly and powerfully to the important project of self-reflexively retheorizing musical analysis. Mowitt knits together the most complex cultural theory with the most influential popular music in surprising and illuminating ways."--Robert Walser, author of "Running with the Devil: Power, Gender, and Madness in Heavy Metal Music"
"This book contributes subtly and powerfully to the important project of self-reflexively retheorizing musical analysis. Mowitt knits together the most complex cultural theory with the most influential popular music in surprising and illuminating ways."--Robert Walser, author of "Running with the Devil: Power, Gender, and Madness in Heavy Metal Music"
John Mowitt is Professor of Cultural Studies and Comparative Literature at the University of Minnesota. He is the author of Text: The Genealogy of an Antidisciplinary Object, also published by Duke University Press.
Inhaltsangabe
Acknowledgments Preface Introduction: (Re)percussions 1. The End of Senseless Beating 2. Knocking the Subject 3. Different Strokes for Different Folks 4. Sound of the City: A Musician Is Being Beaten 5. A Drum of One’s Own > Notes Works Cited Index
Acknowledgments Preface Introduction: (Re)percussions 1. The End of Senseless Beating 2. Knocking the Subject 3. Different Strokes for Different Folks 4. Sound of the City: A Musician Is Being Beaten 5. A Drum of One’s Own > Notes Works Cited Index
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