This book examines the dynamic intermingling of Asian performance of theatre and dance across the borders of the ancient Silk Road, which connected China with cultures and countries throughout Asia, and beyond.
This book examines the dynamic intermingling of Asian performance of theatre and dance across the borders of the ancient Silk Road, which connected China with cultures and countries throughout Asia, and beyond.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Wei Zhang is Professor at Hangzhou Normal University. She is the author of Chinese Adaptations of Brecht: Appropriation and Intertextuality (2020). Her research has been published in Theatre Research International, Asian Theatre Journal, Comparative Drama, Classical Receptions Journal, and many other journals.
Inhaltsangabe
1. Introduction 2. Yangge: Han and Ethnic Folk Dance Drama in Northern China after Yuan zaju Period 3. Fan Dance Masked Dance and The Divine in East Asia/China 4. Golden-Winged Bird Flying Apsaras Thousand-Hand Avalokitesvara and Indian Buddhism Influence on Performance Arts in China 5. Kinnara Kinnari Peacock Dance and Water Puppetry: Performances in China and Southeast Asian Countries 6. Beckett Sartre and Brecht on the Drama/Theatre Scenes in China 7. Conclusion
1. Introduction 2. Yangge: Han and Ethnic Folk Dance Drama in Northern China after Yuan zaju Period 3. Fan Dance Masked Dance and The Divine in East Asia/China 4. Golden-Winged Bird Flying Apsaras Thousand-Hand Avalokitesvara and Indian Buddhism Influence on Performance Arts in China 5. Kinnara Kinnari Peacock Dance and Water Puppetry: Performances in China and Southeast Asian Countries 6. Beckett Sartre and Brecht on the Drama/Theatre Scenes in China 7. Conclusion
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