This book draws on ethnographic research among a variety of activist groups and initiatives that use art and performance-based art forms as a vehicle for social change, to examine the tensions between aesthetics and politics that lie at the heart of art activism. Bringing together concepts and theories from aesthetics, performance studies and art theory with social movement theory, the author proposes a theoretical framework that explains what sets this kind of practice apart from other art forms and other forms of political practice.
This book draws on ethnographic research among a variety of activist groups and initiatives that use art and performance-based art forms as a vehicle for social change, to examine the tensions between aesthetics and politics that lie at the heart of art activism. Bringing together concepts and theories from aesthetics, performance studies and art theory with social movement theory, the author proposes a theoretical framework that explains what sets this kind of practice apart from other art forms and other forms of political practice.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Paula Serafini is a cultural politics scholar, practitioner and organiser. Her work is concerned with the relationship between aesthetics and politics, and with artistic and media interventions in art institutions, labour struggles, and environmental and social justice movements. She is currently a Research Associate at CAMEo Research Institute for Cultural and Media Economies, University of Leicester, and holds a PhD in Social and Cultural Analysis (King's College London), an MA in Anthropology & Cultural Politics (Goldsmiths College) and a BA in Art History and Cultural Management (Universidad del Salvador, Argentina). Her previous publications include journal articles in Third Text and Anarchist Studies, and the edited collection artWORK: Art, Labour and Activism, co-edited with Alberto Cossu and Jessica Holtaway (Rowman and Littlefield International, 2017).
Inhaltsangabe
List of Figures Acknowledgements Introduction 1. 'Harmonic Disobedience': Constructing a Collective Identity in an Activist Choir 2. A Viking Longship: Participation in Performance Action 3. From Transgression to Prefiguration: Performance Action as a Blueprint for Social Change 4. Breaking Barriers: Bodies, Institutions, and Codes 5. Loitering in the City: Psychogeography as Art Activism 6. New Narratives: Rethinking Activism through Art in the Youth Project 'Voices that Shake!' 7. Breaking the Mould: Art Activism and Art Institutions 8. Towards a Theory of Art Activism Afterword Index
List of Figures Acknowledgements Introduction 1. 'Harmonic Disobedience': Constructing a Collective Identity in an Activist Choir 2. A Viking Longship: Participation in Performance Action 3. From Transgression to Prefiguration: Performance Action as a Blueprint for Social Change 4. Breaking Barriers: Bodies, Institutions, and Codes 5. Loitering in the City: Psychogeography as Art Activism 6. New Narratives: Rethinking Activism through Art in the Youth Project 'Voices that Shake!' 7. Breaking the Mould: Art Activism and Art Institutions 8. Towards a Theory of Art Activism Afterword Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826