Simon Goldhill / Robin Osborne (eds.)
Performance Culture and Athenian Democracy
Herausgeber: Goldhill, Simon; Osborne, Robin
Simon Goldhill / Robin Osborne (eds.)
Performance Culture and Athenian Democracy
Herausgeber: Goldhill, Simon; Osborne, Robin
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This 1999 book discusses the ways performance is central to the practice and ideology of Athenian democracy.
This 1999 book discusses the ways performance is central to the practice and ideology of Athenian democracy.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 430
- Erscheinungstermin: 1. August 2012
- Englisch
- Abmessung: 235mm x 157mm x 30mm
- Gewicht: 847g
- ISBN-13: 9780521642477
- ISBN-10: 0521642477
- Artikelnr.: 29337584
- Verlag: Cambridge University Press
- Seitenzahl: 430
- Erscheinungstermin: 1. August 2012
- Englisch
- Abmessung: 235mm x 157mm x 30mm
- Gewicht: 847g
- ISBN-13: 9780521642477
- ISBN-10: 0521642477
- Artikelnr.: 29337584
1. Programme notes Simon Goldhill; Part I. The Performance of Drama: 2.
Spreading the word through performance Oliver Taplin; 3. The aulos in
Athens Peter Wilson; 4. Actor's song in tragedy Edith Hall; Part II. The
Drama of Performance: 5. Performative aspects of the choral voice in Greek
tragedy: civic identity in performance Claude Calame; 6. Actors and voices:
reading between the lines in Aeschines and Demosthenes Pat Easterling; 7.
Aristophanes: the performance of Utopia in the Ecclesiazusae Froma Zeitlin;
Part III. Rhetoric and Performance: 8. The rhetoric of anti-rhetoric in
Athenian oratory Jon Hesk; 9. Reading Homer from the rostrum: poems and
laws in Aeschines' In Timarchum Andrew Ford; 10. Plato and the performance
of dialogue Simon Goldhill and Sitta von Reden; Part IV. Ritual and State:
Visuality and the Performance of Citizenship: 11. Processional performance
and the democratic polis Athena Kavoulaki; 12. The spectacular and the
obscure in Athenian religion Michael H. Jameson; 13. Inscribing performance
Robin Osborne; 14. Publicity and performance: kalos inscriptions in Attic
vase-painting François Lissarrague.
Spreading the word through performance Oliver Taplin; 3. The aulos in
Athens Peter Wilson; 4. Actor's song in tragedy Edith Hall; Part II. The
Drama of Performance: 5. Performative aspects of the choral voice in Greek
tragedy: civic identity in performance Claude Calame; 6. Actors and voices:
reading between the lines in Aeschines and Demosthenes Pat Easterling; 7.
Aristophanes: the performance of Utopia in the Ecclesiazusae Froma Zeitlin;
Part III. Rhetoric and Performance: 8. The rhetoric of anti-rhetoric in
Athenian oratory Jon Hesk; 9. Reading Homer from the rostrum: poems and
laws in Aeschines' In Timarchum Andrew Ford; 10. Plato and the performance
of dialogue Simon Goldhill and Sitta von Reden; Part IV. Ritual and State:
Visuality and the Performance of Citizenship: 11. Processional performance
and the democratic polis Athena Kavoulaki; 12. The spectacular and the
obscure in Athenian religion Michael H. Jameson; 13. Inscribing performance
Robin Osborne; 14. Publicity and performance: kalos inscriptions in Attic
vase-painting François Lissarrague.
1. Programme notes Simon Goldhill; Part I. The Performance of Drama: 2.
Spreading the word through performance Oliver Taplin; 3. The aulos in
Athens Peter Wilson; 4. Actor's song in tragedy Edith Hall; Part II. The
Drama of Performance: 5. Performative aspects of the choral voice in Greek
tragedy: civic identity in performance Claude Calame; 6. Actors and voices:
reading between the lines in Aeschines and Demosthenes Pat Easterling; 7.
Aristophanes: the performance of Utopia in the Ecclesiazusae Froma Zeitlin;
Part III. Rhetoric and Performance: 8. The rhetoric of anti-rhetoric in
Athenian oratory Jon Hesk; 9. Reading Homer from the rostrum: poems and
laws in Aeschines' In Timarchum Andrew Ford; 10. Plato and the performance
of dialogue Simon Goldhill and Sitta von Reden; Part IV. Ritual and State:
Visuality and the Performance of Citizenship: 11. Processional performance
and the democratic polis Athena Kavoulaki; 12. The spectacular and the
obscure in Athenian religion Michael H. Jameson; 13. Inscribing performance
Robin Osborne; 14. Publicity and performance: kalos inscriptions in Attic
vase-painting François Lissarrague.
Spreading the word through performance Oliver Taplin; 3. The aulos in
Athens Peter Wilson; 4. Actor's song in tragedy Edith Hall; Part II. The
Drama of Performance: 5. Performative aspects of the choral voice in Greek
tragedy: civic identity in performance Claude Calame; 6. Actors and voices:
reading between the lines in Aeschines and Demosthenes Pat Easterling; 7.
Aristophanes: the performance of Utopia in the Ecclesiazusae Froma Zeitlin;
Part III. Rhetoric and Performance: 8. The rhetoric of anti-rhetoric in
Athenian oratory Jon Hesk; 9. Reading Homer from the rostrum: poems and
laws in Aeschines' In Timarchum Andrew Ford; 10. Plato and the performance
of dialogue Simon Goldhill and Sitta von Reden; Part IV. Ritual and State:
Visuality and the Performance of Citizenship: 11. Processional performance
and the democratic polis Athena Kavoulaki; 12. The spectacular and the
obscure in Athenian religion Michael H. Jameson; 13. Inscribing performance
Robin Osborne; 14. Publicity and performance: kalos inscriptions in Attic
vase-painting François Lissarrague.