This book explores the ways in which performance has given shape and form to wars on terror past and present, focusing on examples of performed violence from Northern Ireland and Iraq. It also investigates how theatre-makers and performance activists have resisited violence in times of terror.a.
This book explores the ways in which performance has given shape and form to wars on terror past and present, focusing on examples of performed violence from Northern Ireland and Iraq. It also investigates how theatre-makers and performance activists have resisited violence in times of terror.a.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jenny Hughes is Professor in Drama at the University of Manchester
Inhaltsangabe
Contents Acknowledgements Illustrations Prologue: A race across the desert 1 Searching for a politics of performance in an age of uncertainty 2 A beheading in Iraq: Medusa, the mirror and a performance of exception 3 Counterinsurgency performance in Northern Ireland: street-crowd-balcony-scenes and the ob-scene 4 A crisis of voice: democratic performance on the London stage 5 Camping up and camping out as antiwar protest performance 6 Performance, counterterrorism and community: cops, neighbours, lovers and double agents Epilogue: Critical mimesis, refuse and waste References
Contents Acknowledgements Illustrations Prologue: A race across the desert 1 Searching for a politics of performance in an age of uncertainty 2 A beheading in Iraq: Medusa, the mirror and a performance of exception 3 Counterinsurgency performance in Northern Ireland: street-crowd-balcony-scenes and the ob-scene 4 A crisis of voice: democratic performance on the London stage 5 Camping up and camping out as antiwar protest performance 6 Performance, counterterrorism and community: cops, neighbours, lovers and double agents Epilogue: Critical mimesis, refuse and waste References
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