Drawing on insights from various disciplines (philology, archaeology, art) as well as from performance and reception studies, this volume shows how a heightened awareness of performance can enhance our appreciation of Greek and Roman theatre.
Drawing on insights from various disciplines (philology, archaeology, art) as well as from performance and reception studies, this volume shows how a heightened awareness of performance can enhance our appreciation of Greek and Roman theatre.
Vayos Liapis, Ph.D. (1997) in Classics, University of Glasgow, is Associate Professor of Theatre at the Open University of Cyprus. He has published extensively on Greek literature, especially tragedy; his latest book is A Commentary on the 'Rhesus' Attributed to Euripides (Oxford University Press, 2012). George W.M. Harrison, Ph.D. (1985) in Classics and Archaeology, Johns Hopkins University, is Assistant Professor of Classics at Concordia where he also teaches in Art History. He is active in productions in the Theatre Department. He has written extensively on Roman imperial tragedy and satyr drama. Contributors: Vayos Liapis, George W.M. Harrison, Costas Panayotakis, Grigoris M. Sifakis, David Konstan, Martin Revermann, Robert Tordoff, Jocelyn Penny Small, A. J. Podlecki, Geoff Bakewell, Peter Meineck, Rosie Wyles, Judith Fletcher, Robert Ketterer, C. W. Marshall, Jeffrey Rusten, Graham Ley, Robert Cowan, George Fredric Franko, Richard Beacham, Dorota Dutsch, A. K. Petrides, Edith Hall, George Kovacs, Gonda Van Steen, and Fiona Macintosh.
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