This ambitious work addresses the reshaping of theatre and performance after postmodernism. Taking in such varied platforms for performance as social networking, reality television and sport events, Performance in the Twenty-first Century represents a much-needed critical gathering and clarification after a period of significant redefinition, and a unique reflection on contemporary cultural production.
This ambitious work addresses the reshaping of theatre and performance after postmodernism. Taking in such varied platforms for performance as social networking, reality television and sport events, Performance in the Twenty-first Century represents a much-needed critical gathering and clarification after a period of significant redefinition, and a unique reflection on contemporary cultural production.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Andy Lavender is a Professor of Theatre and Performance and Head of the School of Arts at the University of Surrey.
Inhaltsangabe
CONTENTS Figures Acknowledgements SCENES OF ENGAGEMENT 0 Introduction 1 Theatres of Engagement: performance after postmodernism ON MEDIATING PERFORMANCE 2 The Visible Voice (or, the Word made Flesh): political presence and performative utterance in the public sphere 3 In the Mix: intermedial theatre and hybridity 4 Feeling the Event: from mise en scène to mise en sensibilité ON (NOT) BEING AN ACTOR 5 Sincerely yours: from the actor to the persona 6 Me Singing and Dancing: YouTube's performing bodies ON (NOT) BEING A SPECTATOR 7 Viewing and Acting (and points in between): the trouble with spectating after Rancière 8 Audiences and Affects: theatres of engagement in the experience economy THEATRE BEYOND THEATRE 9 Performance Engagements across Culture Notes Bibliography Index
CONTENTS Figures Acknowledgements SCENES OF ENGAGEMENT 0 Introduction 1 Theatres of Engagement: performance after postmodernism ON MEDIATING PERFORMANCE 2 The Visible Voice (or, the Word made Flesh): political presence and performative utterance in the public sphere 3 In the Mix: intermedial theatre and hybridity 4 Feeling the Event: from mise en scène to mise en sensibilité ON (NOT) BEING AN ACTOR 5 Sincerely yours: from the actor to the persona 6 Me Singing and Dancing: YouTube's performing bodies ON (NOT) BEING A SPECTATOR 7 Viewing and Acting (and points in between): the trouble with spectating after Rancière 8 Audiences and Affects: theatres of engagement in the experience economy THEATRE BEYOND THEATRE 9 Performance Engagements across Culture Notes Bibliography Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826