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This book is an ambitious and expansive examination of the visual language of self-injury in performance art from the 1960s to the present.

Produktbeschreibung
This book is an ambitious and expansive examination of the visual language of self-injury in performance art from the 1960s to the present.
Autorenporträt
Lucy Weir is Chancellor's Fellow in History of Art at the University of Edinburgh and an AHRC/BBC New Generation Thinker. She is the author of Pina Bausch's Dance Theatre (2018), and co-editor of Performance in a Pandemic (Routledge, 2021).