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Explores the role of performance in US presidential politics The erosion of trust in politicians and political institutions is a major challenge in early twenty-first-century democratic politics, not least in the USA. This book argues that, rather than being a flaw or corruption, the potential for political distrust must be understood as an essential feature of representative democracy because representation works through performance. Through a sustained, and empirically backed exploration of the function of performance within US presidential politics, Performance, Theatricality and the US…mehr

Produktbeschreibung
Explores the role of performance in US presidential politics The erosion of trust in politicians and political institutions is a major challenge in early twenty-first-century democratic politics, not least in the USA. This book argues that, rather than being a flaw or corruption, the potential for political distrust must be understood as an essential feature of representative democracy because representation works through performance. Through a sustained, and empirically backed exploration of the function of performance within US presidential politics, Performance, Theatricality and the US Presidency shows that performance and distrust are interlinked and ineradicable elements of representative democracy. The book explores performance as a constellation of factors such as scripts, embodiment, ideas of selfhood, and historical norms and ideals. It draws on key scholarship on political representation, rhetoric and populism; theories of performativity, theatricality and acting; and interviews the author conducted with political speechwriters, which span presidential administrations and campaigns from Ronald Reagan to Barack Obama, to show that populism distrust becomes a focal point around which the theatre of politics revolves. Julia Peetz is a Leverhulme Early Career Fellow at the University of Warwick, UK.
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Autorenporträt
Julia Peetz is a Leverhulme Early Career Fellow in the School of Theatre and Performance at the University of Warwick. She has previously lectured at Goldsmiths, University of London; the Royal Central School for Speech and Drama; and the University of Surrey. Her work, which has been awarded the Asako Ukukubu Prize (2019) and James Thomas Memorial Prize (2017) and been nominated for the Theatre and Research Association's Early Career Prize, addresses questions of political representation, democracy, and performance - particularly in the context of the U.S. presidency and in Anglo-American relations. Previous work has been published in Contemporary Theatre Review, Performance Research, Contemporary Political Theory, Studies in Theatre and Performance, and in the Oxford Handbook of Politics and Performance.