How and why did Kenya's transitional justice efforts fail, and what does this say about the persistence of the past?Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Gabrielle Lynch is a Professor of Comparative Politics at the University of Warwick, and her research interests include ethnic identities and politics, elections and democratisation, and transitional justice and local reconciliation efforts with a particular focus on Kenya. Gabrielle has published numerous journal articles and book chapters. Her first book, I Say to You: Ethnic Politics and the Kalenjin in Kenya, was published in 2011. Gabrielle is an elected member of council for the British Institute in Eastern Africa, and has written a regular column in Kenya's Saturday Nation since April 2014.
Inhaltsangabe
Part I. Haunted by Violence: Prologue. A time of violence; 1. Confronting the past: transitional justice and the politics of time and performance; 2. Framing the good citizen for orderly elections: the prioritisation of peace; 3. Enter the International Criminal Court: performing (in) justice; Part II. A Post-South African Truth Commission: 4. The Truth, Justice, and Reconciliation Commission: a sense of once-againness; 5. Public hearings: bringing the audience back in; 6. Truth's grand narrative (part I): of injustice and suffering; 7. 'It is because your tribe is women': of the performance of familiar gender roles; 8. Truth's grand narrative (part II): of injustice and impunity; 9. 'Only talking won't help:' of justice and reparations; Part III. Familiar Performances: 10. Performed ruptures: Whither reconciliation.
Part I. Haunted by Violence: Prologue. A time of violence; 1. Confronting the past: transitional justice and the politics of time and performance; 2. Framing the good citizen for orderly elections: the prioritisation of peace; 3. Enter the International Criminal Court: performing (in) justice; Part II. A Post-South African Truth Commission: 4. The Truth, Justice, and Reconciliation Commission: a sense of once-againness; 5. Public hearings: bringing the audience back in; 6. Truth's grand narrative (part I): of injustice and suffering; 7. 'It is because your tribe is women': of the performance of familiar gender roles; 8. Truth's grand narrative (part II): of injustice and impunity; 9. 'Only talking won't help:' of justice and reparations; Part III. Familiar Performances: 10. Performed ruptures: Whither reconciliation.
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