This book proposes a new model for understanding the musical work, which includes interpretation -- both analysis- and performance-based -- as an integral component.
This book proposes a new model for understanding the musical work, which includes interpretation -- both analysis- and performance-based -- as an integral component.
Acknowledgements Introduction Part One: A Theory of Musical Interpretation 1. Analysis in the Musical Work 2. Two Interpretive Roles Part Two: Analytical Essays 3. Schenkerian Analysis as Metaphor: Chopin Nocturne in C Minor Op. 48 No. 1 4. An Analytical Dialogue: Beethoven String Quartet in C Minor Op. 18 No. 4 First Movement 5. Musical Structure(s) as Subtext: Resisting Schumann's "Ring" Notes Bibliography Index
Acknowledgements Introduction Part One: A Theory of Musical Interpretation 1. Analysis in the Musical Work 2. Two Interpretive Roles Part Two: Analytical Essays 3. Schenkerian Analysis as Metaphor: Chopin Nocturne in C Minor Op. 48 No. 1 4. An Analytical Dialogue: Beethoven String Quartet in C Minor Op. 18 No. 4 First Movement 5. Musical Structure(s) as Subtext: Resisting Schumann's "Ring" Notes Bibliography Index
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