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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.06.2024

Abbildungen

XV, 221 p.

Herausgeber

Jennifer Vanderpool + weitere

Verlag

Springer

Seitenzahl

221

Maße (L/B/H)

21,6/15,3/1,8 cm

Gewicht

428 g

Auflage

2024

Sprache

Englisch

ISBN

978-3-031-54879-6

Beschreibung

Portrait


Jennifer Vanderpool
holds a Ph.D. in Art Critical Practices in Trauma Studies from UC Santa Barbara. Her work has been awarded funding from DéPOT in partnership with the Social Science and Humanities Research Council of Canada, Andy Warhol Foundation for the Visual Arts, US-UK Fulbright Commission, Los Angeles Department of Cultural Affairs, Ohio Arts Council, Kunstrådet: Danish Arts Council, Kulturrådet: Swedish Arts Council, and Malmö Stad.


Colin Gardner
is a Distinguished Professor Emeritus at UC Santa Barbara. His publications include
Chaoid Cinem


 


a: Deleuze and Guattari and the Topological Vector of Silence
(2021), exploring the use of silences and sonic drop-outs in sound films. This builds upon his previous book,
Beckett, Deleuze and the Televisual Event: Peephole Art
(Palgrave Macmillan, 2012). He co-edited
Deleuze and the Animal
and
Ecosophical Aesthetics: Art Ethics and Ecology
with Patricia MacCormack. 


 

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.06.2024

Abbildungen

XV, 221 p.

Herausgeber

Verlag

Springer

Seitenzahl

221

Maße (L/B/H)

21,6/15,3/1,8 cm

Gewicht

428 g

Auflage

2024

Sprache

Englisch

ISBN

978-3-031-54879-6

Herstelleradresse

Springer-Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE

Email: ProductSafety@springernature.com

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  • Produktbild: Performative Representation of Working-Class Laborers
  • Produktbild: Performative Representation of Working-Class Laborers

  • 1. Introduction.- 2. Performative Representations of Working Class Labour as Language Games - Jennifer Vanderpool.- 3. “Just coal seams and heartbroken miners” – Poetic Representations of the 1984/85 Miners’ Strike in (Post-) Industrial South Yorkshire - Ryan Bramley.- 4. The Feminine Mystique and Reproduction Work: Anarchiving Labour Representation at EYE Film Museum - Paula Albuquerque.- 5. Have You Ever Heard of Surplus Value? The Hard Work of Representing Sex Work - PJ Starr.- 6. Precarious, Heroes and The Art of Cleaning: Reading “Cleaning Women.” - Annika Olsson.- 7. ‘Raising the Red Rag’ – Recontextualizing Working Class Women’s Labour through
    Nightcleaners
    (1975) and
    ’36 to ’77
    (1978) - Colin Gardner.- 8. The opposite of looking is not invisibility. The opposite of yellow is not gold - Hu’o’ng Ngô & Hông-Ȃn Tru’o’ng.- 9. You Don’t Have to Believe Me - Farrah Karapetian.- 10. Real Work: Affective Labour and Reality Television. - Alexis Hudgins.- 11. Political Remix Video and the Working Class: Broadcasting Voices of Resistance - Diran Lyons.- 12. Puffins, Porgs, Labour, and Lightsabers: Production and Consumption of Cultural Space on the Skellig Coast of Ireland - Jake Rowlett.