Performer Training and Technology employs philosophical approaches to technology, including postphenomenology and Heidegger's thinking, to examine the way technology manifests, influences, and becomes used in performer training discourse and practice.
Performer Training and Technology employs philosophical approaches to technology, including postphenomenology and Heidegger's thinking, to examine the way technology manifests, influences, and becomes used in performer training discourse and practice.
Maria Kapsali is a Lecturer in Physical Performance in the School of Performance and Cultural Industries at the University of Leeds.
Inhaltsangabe
Chapter 1: Introduction Chapter 2 - Between technique and technology: the actor's instrument and the actor's paradox Chapter 3 - Beyond technique: critiquing technology and actor training in the 1960s Chapter 4 - Using and Making Tools Chapter 5 - Training the Homo Cellularis: Attention and the Mobile Phone in Performer Training Chapter 6 - Training to be captured Conclusion: Tools for Preparation
Chapter 1: Introduction Chapter 2 - Between technique and technology: the actor's instrument and the actor's paradox Chapter 3 - Beyond technique: critiquing technology and actor training in the 1960s Chapter 4 - Using and Making Tools Chapter 5 - Training the Homo Cellularis: Attention and the Mobile Phone in Performer Training Chapter 6 - Training to be captured Conclusion: Tools for Preparation
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