Performer Training and Technology employs philosophical approaches to technology, including postphenomenology and Heideggerà â â s thinking, to examine the way technology manifests, influences, and becomes used in performer training discourse and practice.
Performer Training and Technology employs philosophical approaches to technology, including postphenomenology and Heideggerà â â s thinking, to examine the way technology manifests, influences, and becomes used in performer training discourse and practice.
Maria Kapsali is a Lecturer in Physical Performance in the School of Performance and Cultural Industries at the University of Leeds.
Inhaltsangabe
Chapter 1: Introduction Chapter 2 - Between technique and technology: the actor's instrument and the actor's paradox Chapter 3 - Beyond technique: critiquing technology and actor training in the 1960s Chapter 4 - Using and Making Tools Chapter 5 - Training the Homo Cellularis: Attention and the Mobile Phone in Performer Training Chapter 6 - Training to be captured Conclusion: Tools for Preparation
Chapter 1: Introduction Chapter 2 - Between technique and technology: the actor's instrument and the actor's paradox Chapter 3 - Beyond technique: critiquing technology and actor training in the 1960s Chapter 4 - Using and Making Tools Chapter 5 - Training the Homo Cellularis: Attention and the Mobile Phone in Performer Training Chapter 6 - Training to be captured Conclusion: Tools for Preparation
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