Performing Anti-Slavery demonstrates how black and white abolitionist women transformed antebellum performance practice into a critique of state violence.
Performing Anti-Slavery demonstrates how black and white abolitionist women transformed antebellum performance practice into a critique of state violence.
Gay Gibson Cima is a Professor of English at Georgetown University, Washington DC. In 2012, she received the Lifetime Achievement Award from the Association of Theatre in Higher Education's Women and Theatre Program. In 2015, she received the Distinguished Scholar Award from the American Society for Theatre Research. Her book, Early American Women Critics: Performance, Religion, Race (2006), won the 2007 Barnard Hewitt Award for Outstanding Research in Theatre History from the American Society for Theatre Research. A recipient of the ASTR's Kahan Prize, she has published widely on feminist performance history and critical race theory in journals such as Theatre Survey and the Theatre Journal as well as anthologies including Changing the Subject: Marvin Carlson and Theatre Studies, 1959-2009 (2009) and The Sage Handbook of Performance Studies (2006).
Inhaltsangabe
Introduction 1. From sentimental sympathy to activist self-judgment 2. From the suffering of others to a 'compassion for ourselves' 3. 'Beyond our traditions' to a provisional, practical activism 4. From anti-slavery celebrity to cosmopolitan self-possession Epilogue: the repertoire of anti-trafficking.
Introduction 1. From sentimental sympathy to activist self-judgment 2. From the suffering of others to a 'compassion for ourselves' 3. 'Beyond our traditions' to a provisional, practical activism 4. From anti-slavery celebrity to cosmopolitan self-possession Epilogue: the repertoire of anti-trafficking.
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