Focusing on runyege, the main traditional performance genre of the Banyoro and Batooro people, this book explores the entanglement of traditional music, dance, and theater with gender and postcolonialism in Western Uganda.
Focusing on runyege, the main traditional performance genre of the Banyoro and Batooro people, this book explores the entanglement of traditional music, dance, and theater with gender and postcolonialism in Western Uganda.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
LINDA CIMARDI is Principal Investigator of the DFG-funded research project "Black Musics in the (Former) Yugoslav Region" based at Martin Luther University in Halle-Wittenberg (Germany)
Inhaltsangabe
List of Illustrations Foreword by Samuel Kahunde Acknowledgments Note on Language Note on the Musical Examples Note on Online Audio and Video Material Prelude: Encountering Local Culture in Western Uganda Introduction: Approaching Gender and Performing Arts in Bunyoro and Tooro 1 "Traditional Dance Preserves Culture and Shows People How to Behave": Runyege, MDD, and Gender 2 Singing Marriage, Runyege, and Labor 3 "Women Aren't Supposed to": Instrument Playing in the Past and Today 4 Shaking the Hips, Stamping the Feet: The Runyege Dance 5 Narrating and Representing Local Culture: Theater in Songs and Dances 6 Trans-Performing and Morality in Cultural Groups Postlude: Gendering Culture Appendix I. Glossary of Terms in Runyoro-Rutooro Appendix II. Historical Recordings from Bunyoro and Tooro Author's Interviews References Index
List of Illustrations Foreword by Samuel Kahunde Acknowledgments Note on Language Note on the Musical Examples Note on Online Audio and Video Material Prelude: Encountering Local Culture in Western Uganda Introduction: Approaching Gender and Performing Arts in Bunyoro and Tooro 1 "Traditional Dance Preserves Culture and Shows People How to Behave": Runyege, MDD, and Gender 2 Singing Marriage, Runyege, and Labor 3 "Women Aren't Supposed to": Instrument Playing in the Past and Today 4 Shaking the Hips, Stamping the Feet: The Runyege Dance 5 Narrating and Representing Local Culture: Theater in Songs and Dances 6 Trans-Performing and Morality in Cultural Groups Postlude: Gendering Culture Appendix I. Glossary of Terms in Runyoro-Rutooro Appendix II. Historical Recordings from Bunyoro and Tooro Author's Interviews References Index
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