Linda CimardiPerforming Arts and Gender in Postcolonial Western Uganda
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List of Illustrations Foreword by Samuel Kahunde Acknowledgments Note on
Language Note on the Musical Examples Note on Online Audio and Video
Material Prelude: Encountering Local Culture in Western Uganda
Introduction: Approaching Gender and Performing Arts in Bunyoro and Tooro 1
"Traditional Dance Preserves Culture and Shows People How to Behave":
Runyege, MDD, and Gender 2 Singing Marriage, Runyege, and Labor 3 "Women
Aren't Supposed to": Instrument Playing in the Past and Today 4 Shaking the
Hips, Stamping the Feet: The Runyege Dance 5 Narrating and Representing
Local Culture: Theater in Songs and Dances 6 Trans-Performing and Morality
in Cultural Groups Postlude: Gendering Culture Appendix I. Glossary of
Terms in Runyoro-Rutooro Appendix II. Historical Recordings from Bunyoro
and Tooro Author's Interviews References Index