1 Introduction: Exploring Modalities and Subjectiveness that Shape Social
Relations 2 Crossing Borders and Changing Customs: Moments When the
Spectator Becomes the Spectacle 3 Placement and Displacement of Black
Identity: The Case of Migration across Borders from Campus to Community 4
Passing, Cultural Performance and Individual Agency: Performative
Reflections on Black Masculine Identity 5 (Re) Visioning the Ethnographic
Site: Interpretive Ethnography, Performing Drag, and Feminist Pedagogy 6
Fading, Twisting, and Weaving: An Interpretive Ethnography of the Black
Barbershop/Salon as Cultural Space 7 "Were/Are, Fort/Da": The Eulogy as
Constitutive (Auto)biography (or, Traveling to Coalesce a Public Memory)
