Bryant Keith Alexander teaches in the departments of Communication and Liberal Studies at California State University, Los Angeles.
Inhaltsangabe
1 Introduction: Exploring Modalities and Subjectiveness that Shape Social Relations 2 Crossing Borders and Changing Customs: Moments When the Spectator Becomes the Spectacle 3 Placement and Displacement of Black Identity: The Case of Migration across Borders from Campus to Community 4 Passing, Cultural Performance and Individual Agency: Performative Reflections on Black Masculine Identity 5 (Re) Visioning the Ethnographic Site: Interpretive Ethnography, Performing Drag, and Feminist Pedagogy 6 Fading, Twisting, and Weaving: An Interpretive Ethnography of the Black Barbershop/Salon as Cultural Space 7 "Were/Are, Fort/Da": The Eulogy as Constitutive (Auto)biography (or, Traveling to Coalesce a Public Memory)
1 Introduction: Exploring Modalities and Subjectiveness that Shape Social Relations 2 Crossing Borders and Changing Customs: Moments When the Spectator Becomes the Spectacle 3 Placement and Displacement of Black Identity: The Case of Migration across Borders from Campus to Community 4 Passing, Cultural Performance and Individual Agency: Performative Reflections on Black Masculine Identity 5 (Re) Visioning the Ethnographic Site: Interpretive Ethnography, Performing Drag, and Feminist Pedagogy 6 Fading, Twisting, and Weaving: An Interpretive Ethnography of the Black Barbershop/Salon as Cultural Space 7 "Were/Are, Fort/Da": The Eulogy as Constitutive (Auto)biography (or, Traveling to Coalesce a Public Memory)
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