Michael Musgrave is Emeritus Professor of Music at Goldsmiths' College, University of London but lives in New York. He is author of The Musical Life of the Crystal Palace, The Music of Brahms, Brahms: A German Requiem and the editor of The Cambridge Companion to Brahms.
Bernard D. Sherman is the author of Inside Early Music (1997) and the essay 'Authenticity in Music' in The Encyclopedia of Aesthetics (1998). He contributes regularly to The New York Times, and his work has appeared in Early Music, Historical Performance, The American Brahms Society Newsletter, and many other publications.
Introduction; 1. How different was Brahms's playing style from our own?
Bernard D. Sherman; 2. Performing Brahms's music: clues from his letters
Styra Avins; 3. Joachim's violin playing and the performance of Brahms's
string music Clive Brown; 4. Metronome marks and timings Bernard D.
Sherman; 5. Performance issues in A German Requiem Michael Musgrave with
Appendix: 'Ein deutsches Requiem', Siegfried Ochs, introduced and
translated by Michael Musgrave; 6. Fanny Davies and Brahms's late chamber
music George S. Bozarth; 7. Flexible tempo and nuancing in orchestral
music: Understanding Brahms's view of interpretation in his Second Piano
Concerto and Fourth Symphony Robert Pascall and Philip Weller; 8. Brahms in
the Meiningen Tradition: His Symphonies and Haydn Variations in the
Markings by Fritz Steinbach Edited by Walter Blume, Excerpt: The First
Symphony Walter Frisch (translation and introduction); 9. In search of
Brahms's First Symphony: Steinbach, the Meiningen tradition and the
recordings of Hermann Abendroth Walter Frisch; 10. Early trends in the
recorded performance of Brahms's music Michael Musgrave; 11. Performing
Brahms in the Style Hongrois Jonathan Bellman; 12. Brahms's musical world:
balancing the evidence Robert Philip; Appendix: Introduction to
supplementary CD and list of contents; Discography.
