Performing Commedia dell'Arte, 1570-1630 explores the performance techniques employed in commedia dell'arte and the ways in which they served to rapidly spread throughout Europe the ideas that were to form the basis of modern theatre.
Performing Commedia dell'Arte, 1570-1630 explores the performance techniques employed in commedia dell'arte and the ways in which they served to rapidly spread throughout Europe the ideas that were to form the basis of modern theatre.
Natalie Crohn Schmitt is Professor Emerita of Theatre and English at the University of Illinois, Chicago, USA. Her wide-ranging scholarship includes Befriending the Commedia dell'Arte of Flaminio Scala: The Comic Scenarios (2014) and essays on commedia dell'arte in New Theatre Quarterly, Viator, Renaissance Drama, and Text and Performance Quarterly. She is the recipient of two National Endowment for the Humanities fellowships and of Humanities Center fellowships at Stanford University and at the University of Illinois.
Inhaltsangabe
List of figures List of tables Acknowledgments Introduction 1. Improvisation: why, what, how 2. Acting styles: dialects, voice, gesture 3. The uses of masks 4. Coda: commedia dell'arte today Index
List of figures List of tables Acknowledgments Introduction 1. Improvisation: why, what, how 2. Acting styles: dialects, voice, gesture 3. The uses of masks 4. Coda: commedia dell'arte today Index
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