Performing Heritage is the first book to bring together the range of voices, debates and practices that constitute the fields of museum theatre and live interpretation. Inspiring and challenging in its scope and level of debate, Performing Heritage crosses the disciplines of performance and museum/heritage studies and offers remarkable and timely insights into the processes, outcomes and potential of this rich and rapidly developing practice - and in a variety of international contexts. The book productively brings together academic research and professional practice, and will be essential…mehr
Performing Heritage is the first book to bring together the range of voices, debates and practices that constitute the fields of museum theatre and live interpretation. Inspiring and challenging in its scope and level of debate, Performing Heritage crosses the disciplines of performance and museum/heritage studies and offers remarkable and timely insights into the processes, outcomes and potential of this rich and rapidly developing practice - and in a variety of international contexts. The book productively brings together academic research and professional practice, and will be essential reading for all those interested in, and concerned with the future of, 'heritage' and its interpretation.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Anthony Jackson is Emeritus Professor of Educational Theatre at The University of Manchester Jenny Kidd is Lecturer in Journalism, Media and Cultural Studies at Cardiff University.
Inhaltsangabe
Introduction Anthony Jackson and Jenny Kidd 1. Engaging the audience: negotiating performance in the museum Anthony Jackson 2. 'Watching me, watching you': performance and performativity in the museum Helen Rees Leahy 3. Creating heritage experiences through architecture Alke Gröppel Wegener 4. The space of museum theatre: a framework for performing heritage Paul Johnson 5. The 'Doing' of Heritage: heritage as performance Laurajane Smith 6. Intangible Heritage and the performance of identity Marilena Alivizatou 7. Authenticity and metaphor: displaying Intangible Human Remains in museum theatre Anna Farthing 8. Interpreting Msinsi: culture, tourism and story telling in the Isimangaliso Wetland Park Emma Durden and Nicky du Plessis 9. Nostalgia for the future of the past Baz Kershaw 10. Performing Cultural Heritage: an analysis of 'Weaving Paths' Royona Mitra 11. A la Ronde eccentricity, heritage and the end of the world Phil Smith 12. Triangle's Immersive Museum Theatre: performativity, historical interpretation and research in role Richard Talbot and Norwood Andrews 13. Mirror Neurons and Simulation: the role of the spectator in museum theatre Catherine Hughes 14. 'The costume of openness': participatory performance in heritage environments Jenny Kidd 15. Performing Human Rights: engaging visitors in dialogue at two historic site Museums of Conscience Joel Chalfen 16. "For a little road it is not. For it is a great road; it is long": performing heritage for development in the Cape Mark Fleishman Appendix The Performance, Learning and Heritage project
Introduction Anthony Jackson and Jenny Kidd 1. Engaging the audience: negotiating performance in the museum Anthony Jackson 2. 'Watching me, watching you': performance and performativity in the museum Helen Rees Leahy 3. Creating heritage experiences through architecture Alke Gröppel Wegener 4. The space of museum theatre: a framework for performing heritage Paul Johnson 5. The 'Doing' of Heritage: heritage as performance Laurajane Smith 6. Intangible Heritage and the performance of identity Marilena Alivizatou 7. Authenticity and metaphor: displaying Intangible Human Remains in museum theatre Anna Farthing 8. Interpreting Msinsi: culture, tourism and story telling in the Isimangaliso Wetland Park Emma Durden and Nicky du Plessis 9. Nostalgia for the future of the past Baz Kershaw 10. Performing Cultural Heritage: an analysis of 'Weaving Paths' Royona Mitra 11. A la Ronde eccentricity, heritage and the end of the world Phil Smith 12. Triangle's Immersive Museum Theatre: performativity, historical interpretation and research in role Richard Talbot and Norwood Andrews 13. Mirror Neurons and Simulation: the role of the spectator in museum theatre Catherine Hughes 14. 'The costume of openness': participatory performance in heritage environments Jenny Kidd 15. Performing Human Rights: engaging visitors in dialogue at two historic site Museums of Conscience Joel Chalfen 16. "For a little road it is not. For it is a great road; it is long": performing heritage for development in the Cape Mark Fleishman Appendix The Performance, Learning and Heritage project
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826