Performing Interdisciplinarity proposes new ways of engaging with performance as it crosses, collides with, integrates and/or disturbs other disciplinary concerns. From Activism and Political Philosophy to Cognitive Science and Forensics, each chapter explores the relationships between performance and another discipline.
Performing Interdisciplinarity proposes new ways of engaging with performance as it crosses, collides with, integrates and/or disturbs other disciplinary concerns. From Activism and Political Philosophy to Cognitive Science and Forensics, each chapter explores the relationships between performance and another discipline.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Experience Bryon, PhD, is a performance practitioner and Senior Lecturer at the Royal Central School of Speech and Drama. She specialises in Practice as Research, interdisciplinary performance practice(s), physical/vocal praxis, and performance as it engages across disciplines. She is also author of Integrative Performance: Practice and Theory for the Interdisciplinary Performer (Routledge 2014).
Inhaltsangabe
List of Contributors Acknowledgements Foreword - Claire Colebrook Introduction Experience Bryon Part I active aesthetic: Knowledge Performing Experience Bryon Part II virtual: Performance and Digital Joanne Scott Cross-Chapter Discussion: virtual & mediation mediation: Performance and Installation Art Luis Campos Cross-Chapter Discussion: mediation & utopia utopia: Performance and Social Geography: shattering the real with utopian dreams Selina Busby Cross-Chapter Discussion: utopia & role role: Performance and Pedagogy Jessica Hartley Cross-Chapter Discussion: role & embodiment embodiment: Performance and Cognitive Science Deirdre Mclaughlin Cross-Chapter Discussion: embodiment & story story: Performance and Psychology Antonia Batzoglou Cross-Chapter Discussion: story & virtual visibility: Performance and Activism Nando Messias Cross-Chapter Discussion: visibility & 'the subject' 'the subject': Performance and Political Philosophy Rachel Cockburn Cross-Chapter Discussion: 'the subject' & voice voice: Performance and Forensics Konstantinos Thomaidis Cross-Chapter Discussion: voice & visibility Index
List of Contributors Acknowledgements Foreword - Claire Colebrook Introduction Experience Bryon Part I active aesthetic: Knowledge Performing Experience Bryon Part II virtual: Performance and Digital Joanne Scott Cross-Chapter Discussion: virtual & mediation mediation: Performance and Installation Art Luis Campos Cross-Chapter Discussion: mediation & utopia utopia: Performance and Social Geography: shattering the real with utopian dreams Selina Busby Cross-Chapter Discussion: utopia & role role: Performance and Pedagogy Jessica Hartley Cross-Chapter Discussion: role & embodiment embodiment: Performance and Cognitive Science Deirdre Mclaughlin Cross-Chapter Discussion: embodiment & story story: Performance and Psychology Antonia Batzoglou Cross-Chapter Discussion: story & virtual visibility: Performance and Activism Nando Messias Cross-Chapter Discussion: visibility & 'the subject' 'the subject': Performance and Political Philosophy Rachel Cockburn Cross-Chapter Discussion: 'the subject' & voice voice: Performance and Forensics Konstantinos Thomaidis Cross-Chapter Discussion: voice & visibility Index
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