Broad and wide-ranging survey of and investigation into the important question of whether medieval narrative was designed for performance.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction [with Nancy Freeman Regalado and Marilyn Lawrence] - Evelyn Birge Vitz Introduction [with Evelyn Birge Vitz and Marilyn Lawrence] - Nancy Freeman Regalado Introduction [with Evelyn Birge Vitz and Nancy Freeman Regalado] - Marilyn Lawrence `He was the best teller of tales in the world': Performing Medieval Welsh Narrative - Sioned Davies The Complaint of the Makers: Wynnere and Wastoure and the `Misperformance Topos' in Medieval England - Joyce Coleman Dioneo's Repertory: Performance and Writing in Boccaccio's Decameron - John Ahern Mise en Texte as Indicator of Oral Performance in Old French Verse Narrative - Keith Busby Erotic Reading in the Middle Ages: Performance and Re-performance of Romance - Evelyn Birge Vitz Oral Performance of Written Narrative in the Medieval French Romance Ysaÿe le Triste - Marilyn Lawrence Performing Romance: Arthurian Interludes in Sarrasin's Le roman du Hem [1278] - Nancy Freeman Regalado Performing Fabliaux - Brian Levy Preaching, Storytelling, and the Performance of Short Pious Narratives - Adrian P. Tudor Reading, Reciting, and Performing the Renart - Kenneth Varty Turkic Bard and Medieval Entertainer: What a Living Epic Tradition Can Tell Us about Oral Performance of Narrative in the Middle Ages - Karl Reichl Beowulf, the Edda, and the Performance of Medieval Epic: Notes from the Workshop of a Reconstructed `Singer of Tales' - Benjamin Bagby The Weddynge of Sir Gawen and Dame Ragnell: Performance and Intertextuality in Middle English Popular Romance - Linda Marie Zaerr `Une aventure vous dirai': Performing Medieval Narrative - Anne Azéma Sequels [with Nancy Freeman Regalado and Marilyn Lawrence] - Evelyn Birge Vitz Sequels [with Evelyn Birge Vitz and Marilyn Lawrence] - Nancy Freeman Regalado Sequels [with Evelyn Birge Vitz and Nancy Freeman Regalado] - Marilyn Lawrence
Introduction [with Nancy Freeman Regalado and Marilyn Lawrence] - Evelyn Birge Vitz Introduction [with Evelyn Birge Vitz and Marilyn Lawrence] - Nancy Freeman Regalado Introduction [with Evelyn Birge Vitz and Nancy Freeman Regalado] - Marilyn Lawrence `He was the best teller of tales in the world': Performing Medieval Welsh Narrative - Sioned Davies The Complaint of the Makers: Wynnere and Wastoure and the `Misperformance Topos' in Medieval England - Joyce Coleman Dioneo's Repertory: Performance and Writing in Boccaccio's Decameron - John Ahern Mise en Texte as Indicator of Oral Performance in Old French Verse Narrative - Keith Busby Erotic Reading in the Middle Ages: Performance and Re-performance of Romance - Evelyn Birge Vitz Oral Performance of Written Narrative in the Medieval French Romance Ysaÿe le Triste - Marilyn Lawrence Performing Romance: Arthurian Interludes in Sarrasin's Le roman du Hem [1278] - Nancy Freeman Regalado Performing Fabliaux - Brian Levy Preaching, Storytelling, and the Performance of Short Pious Narratives - Adrian P. Tudor Reading, Reciting, and Performing the Renart - Kenneth Varty Turkic Bard and Medieval Entertainer: What a Living Epic Tradition Can Tell Us about Oral Performance of Narrative in the Middle Ages - Karl Reichl Beowulf, the Edda, and the Performance of Medieval Epic: Notes from the Workshop of a Reconstructed `Singer of Tales' - Benjamin Bagby The Weddynge of Sir Gawen and Dame Ragnell: Performance and Intertextuality in Middle English Popular Romance - Linda Marie Zaerr `Une aventure vous dirai': Performing Medieval Narrative - Anne Azéma Sequels [with Nancy Freeman Regalado and Marilyn Lawrence] - Evelyn Birge Vitz Sequels [with Evelyn Birge Vitz and Marilyn Lawrence] - Nancy Freeman Regalado Sequels [with Evelyn Birge Vitz and Nancy Freeman Regalado] - Marilyn Lawrence
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