A study of the Prague Italian opera company and its role in performing Mozart's works in the late eighteenth-century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ian Woodfield is Professor of Historical Musicology at Queen's University Belfast, where he teaches courses in notation, musical instruments and early repertoire. His books include Music of the Raj (2000), Opera and Drama (2002) and Mozart's Così fan tutte: A Compositional History (2008), which received the Mozart Society of America's second Marjorie Weston Emerson Award.
Inhaltsangabe
Introduction 1. Pasquale Bondini 2. Die Entführung aus dem Serail 3. The Italian troupe in Prague 4. The Prague Figaro 5. The genesis of Don Giovanni 6. The première of Don Giovanni 7. The casting of Don Giovanni 8. The Leipzig Don Giovanni 9. The 1788 Prague Don Giovanni 10. Mozart's music in Leipzig 11. Josepha Duschek's Academy (22 April 1788) 12. Mozart's Academy (12 May 1789) 13. Guardasoni in Warsaw 14. The première of La clemenza di Tito 15. The Leipzig reception of the Da Ponte operas (1792-4) 16. Guardasoni diversifies Conclusion Bibliography.
Introduction 1. Pasquale Bondini 2. Die Entführung aus dem Serail 3. The Italian troupe in Prague 4. The Prague Figaro 5. The genesis of Don Giovanni 6. The première of Don Giovanni 7. The casting of Don Giovanni 8. The Leipzig Don Giovanni 9. The 1788 Prague Don Giovanni 10. Mozart's music in Leipzig 11. Josepha Duschek's Academy (22 April 1788) 12. Mozart's Academy (12 May 1789) 13. Guardasoni in Warsaw 14. The première of La clemenza di Tito 15. The Leipzig reception of the Da Ponte operas (1792-4) 16. Guardasoni diversifies Conclusion Bibliography.
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