This book examines the relations between Western religion, secularism, and modern theatre and performance. The book analyses a new and original historiography of a uniquely modern theatrical phenomenon, a study that is of high importance considering the reemergence of religion in contemporary culture and politics.
This book examines the relations between Western religion, secularism, and modern theatre and performance. The book analyses a new and original historiography of a uniquely modern theatrical phenomenon, a study that is of high importance considering the reemergence of religion in contemporary culture and politics.
Sharon Aronson-Lehavi is a faculty member and former Chair of the Department of Theatre Arts at Tel Aviv University, Israel.
Inhaltsangabe
List of Figures Acknowledgements Introduction Chapter 1: Modern Scriptural Theatre and the Performativity of Anachronism Chapter 2: "Who shall be Christ?" From Sacrificial Figure to Social Victim Chapter 3: Encountering Absence in the Theatre Conclusion Appendix: English Translation of Hugo Ball, A Nativity Play. Bruitist Bibliography Index
List of Figures Acknowledgements Introduction Chapter 1: Modern Scriptural Theatre and the Performativity of Anachronism Chapter 2: "Who shall be Christ?" From Sacrificial Figure to Social Victim Chapter 3: Encountering Absence in the Theatre Conclusion Appendix: English Translation of Hugo Ball, A Nativity Play. Bruitist Bibliography Index
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