Performing Restoration Shakespeare embraces the performative and musical qualities of Restoration Shakespeare (1660Ã â â 1714), drawing on the interdisciplinary expertise of theatre historians, musicologists, literary critics, and - crucially - theatre and music practitioners. It invites us to respond to Restoration Shakespeare on its own unique terms.
Performing Restoration Shakespeare embraces the performative and musical qualities of Restoration Shakespeare (1660Ã â â 1714), drawing on the interdisciplinary expertise of theatre historians, musicologists, literary critics, and - crucially - theatre and music practitioners. It invites us to respond to Restoration Shakespeare on its own unique terms.
Introduction: new Shakespeare for a new era Amanda Eubanks Winkler, Claude Fretz, and Richard Schoch; Part I. Documents of Performance: 1. From boards to books: the circulation of Shakespearean songs in manuscript and print during the interregnum Sarah Ledwidge; 2. Heroic Shakespeare at Lincoln's Inn fields Stephen Watkins; 3. More than a song and dance? Identifying Matthew Locke's incidental music for Macbeth Silas Wollston; Part II. Performance History and Performance Now: 4. Cross-Dressing in restoration Shakespeare: Twelfth night and the tempest Fiona Ritchie; 5. Performing restoration Shakespeare in the eighteenth century James Harriman-Smith; 6. An actor's perspective on restoration Shakespeare Louis Butelli; 7. Staging restoration Shakespeare with restoration music Robert Eisenstein; Part III. Practice-Based Research: 8. Davenant's lady Macduff and the subversion of normative femininity in twenty-first-century performance Sara Reimers; 9. Facts as ideas: the theatricalization of scholarship Kate Eastwood Norris; 10. Syncopated time: taging the restoration tempest Amanda Eubanks Winkler and Richard Schoch.
Introduction: new Shakespeare for a new era Amanda Eubanks Winkler, Claude Fretz, and Richard Schoch; Part I. Documents of Performance: 1. From boards to books: the circulation of Shakespearean songs in manuscript and print during the interregnum Sarah Ledwidge; 2. Heroic Shakespeare at Lincoln's Inn fields Stephen Watkins; 3. More than a song and dance? Identifying Matthew Locke's incidental music for Macbeth Silas Wollston; Part II. Performance History and Performance Now: 4. Cross-Dressing in restoration Shakespeare: Twelfth night and the tempest Fiona Ritchie; 5. Performing restoration Shakespeare in the eighteenth century James Harriman-Smith; 6. An actor's perspective on restoration Shakespeare Louis Butelli; 7. Staging restoration Shakespeare with restoration music Robert Eisenstein; Part III. Practice-Based Research: 8. Davenant's lady Macduff and the subversion of normative femininity in twenty-first-century performance Sara Reimers; 9. Facts as ideas: the theatricalization of scholarship Kate Eastwood Norris; 10. Syncopated time: taging the restoration tempest Amanda Eubanks Winkler and Richard Schoch.
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