This book illustrates how local awareness of Western cultural hegemonic entities such as Broadway and Shakespeare have been implemented within South Korean theatre in the global era. With a focus on performances that targeted global audiences, Lee explores the ways in which Korea's nationalistic desires for global visibility are projected on stage.
This book illustrates how local awareness of Western cultural hegemonic entities such as Broadway and Shakespeare have been implemented within South Korean theatre in the global era. With a focus on performances that targeted global audiences, Lee explores the ways in which Korea's nationalistic desires for global visibility are projected on stage.
1. Introduction: Contradictory Tides between the National and the Global 2. Navigating the National and the Global: The Last Empress, the Musical 3. Mediating the National-Regional-Global Triad: Nanta and Nonverbal Performance 4. An Alternative Image of Nationhood within the Global: Musical Seoul Line 1 5. Conceptualizing Korean Shakespeare in the Era of Globalization 6. Conclusion: Choreographing Nationalism in the Global Context Notes Bibliography Index
1. Introduction: Contradictory Tides between the National and the Global 2. Navigating the National and the Global: The Last Empress, the Musical 3. Mediating the National-Regional-Global Triad: Nanta and Nonverbal Performance 4. An Alternative Image of Nationhood within the Global: Musical Seoul Line 1 5. Conceptualizing Korean Shakespeare in the Era of Globalization 6. Conclusion: Choreographing Nationalism in the Global Context Notes Bibliography Index
1. Introduction: Contradictory Tides between the National and the Global 2. Navigating the National and the Global: The Last Empress, the Musical 3. Mediating the National-Regional-Global Triad: Nanta and Nonverbal Performance 4. An Alternative Image of Nationhood within the Global: Musical Seoul Line 1 5. Conceptualizing Korean Shakespeare in the Era of Globalization 6. Conclusion: Choreographing Nationalism in the Global Context Notes Bibliography Index
1. Introduction: Contradictory Tides between the National and the Global 2. Navigating the National and the Global: The Last Empress, the Musical 3. Mediating the National-Regional-Global Triad: Nanta and Nonverbal Performance 4. An Alternative Image of Nationhood within the Global: Musical Seoul Line 1 5. Conceptualizing Korean Shakespeare in the Era of Globalization 6. Conclusion: Choreographing Nationalism in the Global Context Notes Bibliography Index
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