Performing Time

Synchrony and Temporal Flow in Music and Dance
Herausgeber: Wöllner, Clemens; London, Justin

• Gebundenes Buch

Produktbeschreibung

Performing Time explores our experience of time in dance and music, from the perspectives of both performers and audience, and informed by the most recent research in dance science, musicology, neuroscience, and psychology.

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Produktdetails

• Verlag: Oxford University Press
• Seitenzahl: 432
• Erscheinungstermin: 20. Oktober 2023
• Englisch
• Abmessung: 248mm x 179mm x 29mm
• Gewicht: 1012g
• ISBN-13: 9780192896254
• ISBN-10: 0192896253
• Artikelnr.: 67735571

Autorenporträt

Clemens Wöllner is Professor of Systematic Musicology at the University of Music, Freiburg, Germany. He has published widely on timing in perception and performance, expressiveness, attention and movement in music and beyond. His long-term research project "Slow Motion: Transformation of Musical Time in Perception and Performance" has been awarded a grant from the European Union. He is President of the German Society for Music Psychology, and serves in the boards of leading journals in the field. Justin London is the Andrew W. Mellon Professor of Music, Cognitive Science, and the Humanities at Carleton College (USA). He received his Ph.D. from the University of Pennsylvania where he worked with Leonard Meyer. His research interests include rhythm and timing in non-western music, beat and tempo perception, sensorimotor synchronization and joint action, and musical aesthetics. He has served as President of the Society for Music Theory (2007-2009) and President of the Society for Music Perception and Cognition (2016-2018).

Inhaltsangabe

* 0: Wöllner and London: Introduction to Performing Time
* 1 Foundations: The Flow of Time in Music and Dance
* 1: Bettina Bläsing: Time experiences in dance
* 2: Mariusz Kozak: Varieties of musical temporality
* 3: Keith Doelling, Sophie Herbst, Luc Arnal and Virginie van
Wassenhove: Psychological and neuroscientific foundations of rhythms
and timing
* 4: Sylvie Droit-Volet and Natalia Martinelli: The psychological
underpinnings of feelings of the passage of time
* 2 Duration, Tempo and Pacing in Performance and Perception
* 5: Justin London: What is musical tempo?
* 6: Renee Conroy: Telling time: Dancers, dancemakers, and audience
members
* 7: Molly Henry and Sonja Kotz: Preferred tempo and its relation to
personal sense of time and temporal flow
* 8: Coline Joufflineau: Time through the magnifying glass of slowness:
a case study in Myriam Gourfink's choreography
* 9: Alexander Jensenius: Standing still together: Reflections on a
one-year-long exploration of human micromotion
* 10: David Hammerschmidt: Spontaneous motor tempo: A window into the
inner sense of time
* 11: Mari Romarheim Haugen: An embodied perspective on rhythm in
music-dance genres
* 3 Synchrony: Keeping Together in Time
* 12: Guy Madison: Moving together in music and dance - features of
entrainment and sensorimotor synchronisation
* 13: Werner Goebl and Laura Bishop: Joint shaping of musical time: How
togetherness emerges in music ensemble performance
* 14: Julien Laroche, Tommi Himberg and Asaf Bachrach: Making time
together: An exploration of participatory time-making through
collective dance improvisation
* 15: Birgitta Burger and Petri Toiviainen: Time and synchronisation in
dance movement
* 16: Simone Dalla Bella: Unravelling individual differences in
synchronizing to the beat of music
* 17: Anne Danielsen: Shaping the beat bin in computer-based grooves
* 18: Matthew H. Woolhouse: The 'synchrony effect' in dance: how
rhythmic scaffolding and vision facilitate social cohesion
* 4 Performance Time Experienced: Attention, Expectation and Groove
* 19: Clemens Wöllner: Changes in psychological time when attending to
different temporal structures in music
* 20: Pieter-Jan Maes and Marc Leman: Expressive timing in music and
dance interactions: a dynamic perspective
* 21: Psyche Loui: Temporal aspects of musical expectancy and
creativity in improvisation: A review of recent neuroscientific
studies and an updated model
* 22: Anna Pakes: Experiences of time in boring dance
* 23: Jason Noble, Tanor Bonin, Roger Dean and Stephen McAdams:
Evaluating the psychological reality of alternate temporalities in
contemporary music: Empirical case studies of Gérard Grisey's Vortex
Temporum
* 24: Kristina Knowles and Richard Ashley: Measuring experienced time
while listening to music
* 25: Jan Stupacher, Michael Hove and Peter Vuust: The experience of
musical groove: body movement, pleasure, and social bonding
* 5 Conclusions: Capturing Time in Performance and Science
* 26: Marc Wittmann: Embodied time: what the psychology and
neuroscience of time can learn from the performing arts
* 27: Russell Hartenberger: Learning to feel the time: Reflections of a
percussionist
* 28: Henry Daniel, Justin London: Performing and feeling time in
contemporary dance
* 29: Kent Nagano, Clemens Wöllner: Music is a unique artform because
of the temporal aspect
* 30: Stewart Copeland and Daniel Levitin: Timing, tempo and rhythm:
Evidence from the laboratory and the concert stage