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Explores how whiteness is culturally constructed in American films.

Produktbeschreibung
Explores how whiteness is culturally constructed in American films.
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Autorenporträt
Gwendolyn Audrey Foster is Associate Professor of English and Film Studies at the University of Nebraska. Her previous books include Captive Bodies: Postcolonial Subjectivity in Cinema, also published by SUNY Press, and Troping the Body: Gender, Etiquette, and Performance.