Channelling a focus on the history of cinema into the present and beyond, Persistent Images: Encountering Film History in Contemporary Cinema explores the continuing resonance of the memory of cinema as revealed in the technological and aesthetic expressions of a range of experimental practices.
Channelling a focus on the history of cinema into the present and beyond, Persistent Images: Encountering Film History in Contemporary Cinema explores the continuing resonance of the memory of cinema as revealed in the technological and aesthetic expressions of a range of experimental practices.
Dr Andrew Utterson is Associate Professor of Screen Studies at Ithaca College
Inhaltsangabe
List of Figures Acknowledgements Introduction 1. Media Archaeology and the Memory of a Medium: Dawson City: Frozen Time 2. A Drone's-Eye View of History: Francofonia 3. The Movie Theatre as Haunted Space: Shirin and 70x70 4. Recalling the Past Lives of Cinema: Uncle Boonmee Who Can Recall His Past Lives 5. 3D Images at the Edge of History: Goodbye to Language and The Three Disasters 6. Voyaging in Deep Time: Voyage of Time: The IMAX Experience Notes Bibliography Index
List of Figures Acknowledgements Introduction 1. Media Archaeology and the Memory of a Medium: Dawson City: Frozen Time 2. A Drone's-Eye View of History: Francofonia 3. The Movie Theatre as Haunted Space: Shirin and 70x70 4. Recalling the Past Lives of Cinema: Uncle Boonmee Who Can Recall His Past Lives 5. 3D Images at the Edge of History: Goodbye to Language and The Three Disasters 6. Voyaging in Deep Time: Voyage of Time: The IMAX Experience Notes Bibliography Index
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