David Chelsea

Perspective in Action: Creative Exercises for Depicting Spatial Representation from the Renaissance to the Digital Age

• Broschiertes Buch

Produktbeschreibung

Using a fun and accessible graphic novel format, Perspective in Action features 33 easy-to-follow demonstrations to teach artists the major discoveries in perspective. Perspective is a fundamental element in the development of art and for understanding spatial relationships, but it is an underserved topic in the world of art instruction. Author and artist David Chelsea takes readers through the major perspective-related developments in history, teaching them how to re-create these same experiments by leading artists in all fields (including drawing, painting, and sculpture). Covering a wide-range of mediums (pen and ink, paint, chalk, digital art, woodwork, and more), Perspective in Action gives readers a more hands-on approach to perspective, as opposed to the usual theoretical presentations found in other books.

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Produktdetails

• Verlag: Clarkson Potter/Ten Speed
• Seitenzahl: 176
• Erscheinungstermin: 20. Juni 2017
• Englisch
• Abmessung: 254mm x 178mm x 13mm
• Gewicht: 499g
• ISBN-13: 9781607749462
• ISBN-10: 1607749467
• Artikelnr.: 46886603

Autorenporträt

DAVID CHELSEA has been a commercial artist for more than 30 years, and his work has appeared in hundreds of publications including the New York Times , The Wall Street Journal, The New York Press, Seattle Weekly, Chicago Tribune, Reader's Digest, Boston Phoenix, and Portland Monthly. He is the author of the graphic novels David Chelsea in Love, Welcome to the Zone, and Snow Angel; two volumes of his collected "24 Hour Comics;" and the how-to books Perspective! for Comic Book Artists and Extreme Perspective! for Artists.

Inhaltsangabe

CONTENTS
Introduction.........................1
1 • Basics...........................3
2 • Beginnings.......................17
3 • Anamorphosis...................29
4 • Cabinets of Wonder...............59
5 • Six-Point Perspective............85
6 • Stereo Perspective...............113
7 • Motion Perspective..............155
Conclusion........................169