Perspectives on Anton Bruckner

Herausgeber: Hawkshaw, Paul; Jackson, Timothy; Howie, Crawford

• Broschiertes Buch

Produktbeschreibung

A century after his death Anton Bruckner still remains one of the most complex and enigmatic creative personalities of the nineteenth century. A leading avant-garde figure of his generation, he was an accomplished performer and teacher in addition to being a great composer; few people in the history of western music can boast his level of achievement in all these areas combined. This book, a collection of essays written by an international group of scholars, offers diverse theoretical and musicological perspectives on Bruckner the composer-teacher-performer. Facets of his formidable theoretical training and his application of it as part of the compositional process are explored. A variety of analytical methodologies is used to examine the Second through to the Ninth Symphonies, the heart of the composer's mature repertoire. Finally, aspects of Bruckner's career as a teacher and performer, his complex personality, his influence and dissemination of his music are considered.

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Produktdetails

• Verlag: Routledge
• Seitenzahl: 450
• Erscheinungstermin: 27. Februar 2017
• Englisch
• Abmessung: 234mm x 156mm x 24mm
• Gewicht: 679g
• ISBN-13: 9781138263345
• ISBN-10: 1138263346
• Artikelnr.: 48091158

Autorenporträt

Crawford Howie

Inhaltsangabe

Contents: Introduction; Theoretical Perspective and Compositional Practice:
A composer learns his craft: lessons in form and orchestration, 1861-63,
Paul Hawkshaw; Bruckner's Oktaven: the problem of consecutives, doubling
and orchestral voice-leading, Timothy L. Jackson; Symphonist: Analytical
Considerations: The early version of the Second Symphony, William Carragan;
Master and disciple united: the 1889 finale of Bruckner's Third Symphony,
Thomas Röder; Continuity in the Fourth Symphony (first movement), Edward
Laufer; The expressive role of disjunction: a semiotic approach to form and
meaning in the Fourth and Fifth Symphonies, Robert S. Hatten; 'Harmonic
daring' and symphonic design in the Sixth Symphony: an essay in historical
musical analysis, Benjamin Marcus Korstvedt; The Adagio of the Sixth
Symphony and the anticipatory tonic recapitulation in Bruckner, Brahms and
Dvorák, Timothy L. Jackson; Bruckner's free application of strict
Sechterian theory with stimulation from Wagnerian sources: an assessment of
the first movement of the Seventh Symphony, Graham H. Phipps; Musical time
in the Eighth Symphony, Joseph C. Kraus; The facts behind a 'legend': the
Ninth Symphony and the Te Deum, John A. Phillips; Man, Musician and
Reception: On unity between Bruckner's personality and production,
Constantin Floros; Bruckner - the travelling virtuoso, Crawford Howie;
Students and friends as 'prophets' and 'promoters': the reception of
Bruckner's works in the Wiener Akademische Wagner-Verein, Andrea Harrandt;
Anton Bruckner and 'German music': Josef Schalk and the establishment of
Bruckner as a national composer, Thomas Leibnitz; Siegmund von Hausegger: a
Bruckner authority from the 1930s, Christa Brÿstle; Ludwig Wittgenstein's
remarks on Bruckner, Peter Palmer; Richard Wetz (1875-1935): a Brucknerian
composer, Erik Levi; Index.