Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. This book is a festschrift for Korsyn, comprised of essays that constellate around his numerous scholarly foci.
Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. This book is a festschrift for Korsyn, comprised of essays that constellate around his numerous scholarly foci.
Bryan Parkhurst is Associate Professor of Music Theory and Philosophy at Oberlin College and Conservatory, U.S.A. Jeffrey Swinkin is Associate Professor of Music (Theory) at The University of Oklahoma, U.S.A.
Inhaltsangabe
Introduction An Interview with Kevin Korsyn I. CLOSE READING AND THE PROBLEMATICS OF ANALYSIS Chapter 1. Extraordinary Measures: Disability and Metrical Conflict in Schubert's 'Der blinde Knabe' Chapter 2. Rethinking Self-referentiality in Schubert's Setting of Platen's 'Die Liebe hat gelogen,' D. 751 (op. 23, no. 1) Chapter 3. The E-Flat/B Complex in Nineteenth-Century Music and its Hermeneutic Dimensions II. COMPOSITIONAL CONSTRAINTS AND COMPOSITIONAL PROCESS Chapter 4. Take It Away: How Shortened and Missing Sections Energize Rondo Forms Chapter 5. Beyond Constraints: Bach's Fugue in G minor from Book 2 of The Well-Tempered Clavier III. MUSIC AND INTERDISCIPLINARITY Chapter 6. Chopin's Preludes, Creatures of Prometheus, and the Posthuman Chapter 7. Walter Riezler on the Unity of the Arts: Unsiloing Art and Music in the Weimar Era Chapter 8. Completing the Triad: Schenker and Kantian Practical Philosophy Chapter 9. Leni Riefenstahl's 'Ballet' Olympia
Introduction An Interview with Kevin Korsyn I. CLOSE READING AND THE PROBLEMATICS OF ANALYSIS Chapter 1. Extraordinary Measures: Disability and Metrical Conflict in Schubert's 'Der blinde Knabe' Chapter 2. Rethinking Self-referentiality in Schubert's Setting of Platen's 'Die Liebe hat gelogen,' D. 751 (op. 23, no. 1) Chapter 3. The E-Flat/B Complex in Nineteenth-Century Music and its Hermeneutic Dimensions II. COMPOSITIONAL CONSTRAINTS AND COMPOSITIONAL PROCESS Chapter 4. Take It Away: How Shortened and Missing Sections Energize Rondo Forms Chapter 5. Beyond Constraints: Bach's Fugue in G minor from Book 2 of The Well-Tempered Clavier III. MUSIC AND INTERDISCIPLINARITY Chapter 6. Chopin's Preludes, Creatures of Prometheus, and the Posthuman Chapter 7. Walter Riezler on the Unity of the Arts: Unsiloing Art and Music in the Weimar Era Chapter 8. Completing the Triad: Schenker and Kantian Practical Philosophy Chapter 9. Leni Riefenstahl's 'Ballet' Olympia
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